Analysis About The Poetry Concept Of Jiang Kui

Jiang Kui's theory of poetry is an important component of his literary and artistic thinking . The Confucianism, Buddhism ,Taoism and Jiang Kui's own personality have an effect on his poem thinking. According to this ,This paper not only analyse some important theory of Jiang Kui's poetry but the relationship between his poetry and Ci. The purpose is to tap the rich content and theoretical value of Jiang Kui's poem thinking .At the same time, point out its position and contribution in the poetry history of the Southern Song Dynasty even the whole Chinese Poetry history so that to make up the current study deficiencies.This paper is divided into the preamble, the main part and the conclusion. In the preamble , the importance of Jiang Kui's Poetics ,the concept of "Poetry" and the broadly development of China Poetics have been described. The main part of the article is divided into three chapters. The first chapter described the main concept of Jiang Kui's Poetics origin. Such sources mainly include three aspects: the first is the effect of Confucianism, Buddhism and Taoism thinking, the second is refined culture of the Southern Song Dynasty, and the third is the spirit of Jiang Kui's own personality. The Chapter II is the main part of this paper. In this chapter mainly discuss Jiang Kui's Poetics which is the most important and most representative of the spirit of Jiang Kui's personality and is also the most far-reaching impact on the Poetics. This concentrated expression on the following four aspects: First, "seems unclear" and "live" ,the second is "natural gao miao" and "think by oneself, the third is "in the Italian King, King deliberately", and the last is Jiang Kui's "Melody" interpretation. Among them, I think that the "rhythm" is the core of the Jiang Kui's Poetics. This is because it best embodies the spirit of Jiang Kui's personality. Chapter III study the Jiang Kui's poetic which is embodied in his Ci. I think that the style of "empty" in Jiang Kui's Ci is closely linked with his poetic style of the "rhythm", and the "sao ya" style is apparently effcted by his Poetics of the Confucian concept. In the conclusion, the author briefly described the conversion of the ancient literature, as well as how to build contemporary literary theory.