The Chinese Narrartive Art Of LiBihua's Novels

Steming from the facts that Li Bihua accepted the traditional culture and the literature tradition, Summing up the studies of LiBihua's novels, according to the studies of Yangyi's "Chinese Narrates "which includes three rules-----"the narrative structure, the narrative time, the narrative angle of view", and comparing with Chinese traditional culture, this thesis tries to analysis LiBihua's novels from the view of narrative.On The narrative structure, we discuss emphatically the facts that LiBihua learning and innovating from the traditional novel structure, such as "wedge", "the Dao", "the technique", and "the culture and the technique implicated in the circle narrative structure and the indicative narrate". At the same time, we try to dig up the way of using "the Dao and the technique" and the aesthetic thought which implicated in the narrative structure of "the complete circle" and "the half-baked circle", "clearly indicated" and "darkly indicated", "fulfilled indicated" and "has not fulfilled indicated".On The narrative time, we dig up "the country's history and individual memory of history" and "the demons and the female ghost's strange time" as Li Bihua novels'two characteristics. We think LiBihua has inherited Chinese novel's tradition of "history and biography". Meanwhile, according to analysis her novels', we find that "the narrative space" and "the folk local scenery" are the important attributes. Which inherit Chinese culture and highlight the Chinese characters and are the principles how to design the plot and the character, and make the reader accept.On The narrative angle of view, we pay great attention to the differences between different texts, and sum up the rules of how Li Bihua uses nimbly "the view of all knowing" and "the view of unknowing". We also pay attention to the female view of Li Bihua, and try to unearth the female demons and female monsters'view on love and the traditional morals esthetic.