A Study Of Li Zehou 's Thought Of "New Sensibility"

Li zehou is one of the famous scholar in the academic circle of contemporary China. His research has a very wide range of areas, involving many fields such as literature, history and philosophy, and outstanding achievements.His ideas followed the trend of the time and many contemporary scholar has research on him. So attention is meaningful to him.Starting from the consideration of individual survival,this paper bases on the issue of "new sensibility",which is in the third chapter of four speak on aesthetics written by li zehou and combines with the related contents of li zehou’s other writings, exploring the source of the thought of "new sensibility", thoroughly discussing the basic contents of "new sensibility", analyzing the philosophical basis on the idea of "new sensibility" is " the humanization of inner nature", the establishment of "new sensibility" is accumulation, saying the subject of the request of "new sensibility" is "the humanization of the senses" and the internal condition of "new sensibility" is the humanization of passion, and at last,gives objective evaluation to the "new sensibility" and its rightful place in li zehou’s thought on aesthetics.The introduction of this article is primarily concerned with the meaning and purpose of topic selection and the research status and research methods and contents.This text mainly consists of four chapters.The first chapter is an overview of narrative of li zehou’s aesthetics.From practical theory aesthetics to subjective practical aesthetics,to the ontology of emotion li zehou, from the perspective of historical development treat the aesthetics as the first philosophy.As the process of his thoughts, the thought of "new sensibility" is taken more and more seriously.At the same time, aesthetic and art was like peas and carrots.That doing up about li zehou’s understanding of the relationship between "new sensibility" and art is necessary.In the perspective of aesthetics,"new sensibility", which creates the aesthetic feeling is internal consistency with art.Art, as a representative of the human and individual spirituality or a product of human spirit-art, reflects the accumulation of new sensibility, and, in turn, to promote the development of new sensibility.Highlight the importance of "new sensibility" which is in the thought of li zehou’s aesthetics in art. The second chapter mainly introduce form of li zehou’s thought of "new sensibility".The thought of "New sensibility" has its social background and theoretical resources.keeping up with the trend of The Times,and facing the problem of individual survival as the social material practice in the development, again,Li zehou digs the thinking pattern and psychological states of confucianism and taoism, combining with the practice aesthetics of Marxism--the humanization of nature and Kant’s transcendental, and Heidegger’s thinking of the survival of individual,to explain that li zehou’s thought of "new sensibility" is in under the influence of Chinese and western.The third chapter mainly introduces li zehou basic content of the thought of "new sensibility".First, pointing out that the way of building "new sensibility" is accumulation,the "new" of "new sensibility" is the accumulation of the social, historical, practical and rational things. Second,indicating that the philosophy basis of the formation of "new sensibility" is the inner humanization of nature.Li zehou said "the humanization of nature" is a theory of mind of Marxism about shaping human nature and cultivate aesthetic mind. He absorbes the idea and plays:it includes two aspects which is the external humanization of nature and the inner humanization of nature. The inner humanization of nature is divided into "the humanization of the senses" and "the humanization of passion," the former is the subject of the request of new sensibility",The latter is the internal condition of the "new sensibility"."The humanization of the senses" and "the humanization of passion" construct the structure of human psychology-emotion together.The fourth chapter mainly introduces the significance and influence of li zehou’s thought of new sensibility".Producing the thought of "new sensibility" is a positive efforts by li zehou who follows the pace of time for the problem of Chinese aesthetic research in development,contributing to the development of Chinese aesthetics.Even, some scholars doubt that li zehou’s thought of "new sensibility" is a kind of relief type, specifically fulfilded individual reality and should be how to, it is only understood by readers in accordance with their own quality and experience.This may be affected by the reason of li zehou himself and the time!The third part is the conclusion, it points out that li zehou is a scholar who early study from emotional person and the view of individual existence. Summarizing his emphasis on individuality and the individual existence with four kinds.At last, it affirms the value of li zehou’s thought of "new sensibility", but also admits its disadvantages, so the idea of "new sensibility" still need to improve constantly, making the idea of "new sensibility" internal structured and systematic. It not only is a constructive discipline,but also has guiding significance on contemporary individuals about aesthetic life and existence.