On Electronic Music In Hans Jimmer 's Two Film Music | | Posted on:2016-06-27 | Degree:Master | Type:Thesis | | Country:China | Candidate:Z J Luo | Full Text:PDF | | GTID:2175330470982219 | Subject:Electronic music composer | | Abstract/Summary: | PDF Full Text Request | | Up to now, the "silent film era" of the late 19th century has evolved into the "modern film era" through the development of more than 100 years. Film music, along with the development of the film, also gradually becomes an indispensable and important part in the film. In 1895, in the coffee shop of Lumiere Brothers, a pianist randomly played music clips for films and formed the earliest film soundtrack consciousness and timbre choice of the soundtrack.With the development of music as well as science and technology, timbre constit utionin the music film has been not confined to traditional acoustic instrument or hum an voicealone. He emergence of electronic music and variety of electronic music techn ology not only enrich the film music’s sound and color but also provide more choices and imagination space for the film music composer creating a film music.In this research, the author analyzes the electronic music of two films which Hans Zimmer created in different periods of the perspective of electronic music creator, the author works through from three aspects as the voice characteristics, the combination of electronic music and sound development, trying to find the right spot between electronic music and film music, also discussing how to melt the creation concept of electronic music into the film music in a better way. | | Keywords/Search Tags: | Film Music, Electronic Music, Hans Zimmer, <, Broken Arrow>, , <, Inception>, | PDF Full Text Request | Related items |
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