A Study On The Art Of Guzheng In Chinese National Orchestra

Chinese national orchestra, is after eight thousand years of history, on the basis of the traditional Chinese folk music culture through reform and practice again and again, the twentieth century gradually developed to achieve consensus of a kind of relatively, is long-term exchanges between Chinese and western culture collision, the new music genre for traditional Chinese music. Band is divided into groups of four parts, namely, blowing blowing wind group), group(string), spring(plucked strings), play(percussion) four groups. The instrument group is a Chinese national features panels, compared with the western symphony orchestra, sui generis, considerable scale. Plucked instruments, including the variety of modern national band plucked instruments, has been applied extensively in the combination of several kinds of Musical Instruments is the most scientific and reasonable liu-chin, pipa, dulcimer, nguyen, guzheng, etc. Among them, the guzheng as one has a unique artistic expression of special instrument, its broad range, performance skills in the rich and changeful, can internal emotional image exhibit work, good convergence with the band parts, therefore, plays an irreplaceable role in the band. In-depth study guzheng in national orchestra performing arts, has certain value and significance.This article through to in the national orchestra playing the guzheng art, sight-reading ability, cooperation consciousness description, combined with the author in the band performance, the learning experience, and experience of the rehearsal, the overall perception of guzheng how to give full play to its characteristics in the national orchestra, playing guzheng voice training, as well as how to improve the position and role in the national orchestra, the guzheng at the same time hope for guzheng performers in deductive national orchestra works give certain inspiration and help.