On The Minority Feelings Of Ye Xiao - Cang 's Music Creation

Composer Ye Xiaogang’s story of China belongs not only to his own story also belong to the nation’s story, walking in the Chinese territory, he feeling the soil in the birth of spiritual food, and to create the music as the carrier of another kind of spiritual food. The composer of the Tibetan natural landscape and the humanities landscape are a soft spot, wrote a series of Tibetan style of music, from the horizon to the light of the Himalaya,, from the attention to the Tibetan customs to pay close attention to human spirit home. This is a national feelings of body now.This paper is mainly on the small class of the creation in 1985 of the Tibetan music theme of "Horizon" analysis. The works of musical material related to the different style of Tibetan religious music, such as six syllable mantra "om chant" and various forms of chanting. The composer through the exquisite writing techniques in these materials as a Tibetan daily custom picture. In addition, structure and layout of the work also follows the trajectory of religious customs, the pursuit of religious aesthetics of "three" structure, Buddhist Chant throughout of structure, strong contrast of aesthetic art. Composer will the wealth to the deep spirit connotation of pentatonic tonality music material into the core sound group, and combined in a human voice and Western symphony of form of expression, which in the works of the rich tones of the language at the same time, will also Chinese music to the world, let the world through Qu Jia pen under the national language of music deepen understanding of Chinese culture. This conception is far-reaching national feelings guided composer along the direction, suffering nation in history stands down in the spiritual and cultural mining, lead more people from the sentiment of the surviving self rescue. His national feelings deeply moved me, he has the human care of the works have become the object of my study and research.