An Avant - Garde "super - Avant - Garde" - An Analysis Of The Art Of Sandro Kia 's Painting

"Trans-avantgarde" is sprung up in Italy in the late 1970 s.A shares after the modernist trend of art, it is the international Neo-expressionism in a microcosm of Italy. From the literal point of view, "Trans-avantgarde" means to go beyond the avant-garde.And it transcendenced the "vanguard" refers to the stage of history since the early twentieth Century, with "anti tradition" and "re innovation" as the core values of the various modern art schools,the birth of the "Trans-avantgarde" is a rebellion against those who have been developed for half a century,and it is also a reversal of the "American cultural center".It stands for painting to reframe with canvas,go back to the tradition and learn from nutrition,and on the basis of the diversification of eclectic,advocate and misappropriation of hybridity, compromise and synthesis,focus on the expression of the innermost feelings of the most primitive desire, instinct and emotion.This was at the time, no doubt is avant-garde.The "avant-garde" made the long silence of the Italy art scene caused the wide attention of the world again. Opened a new door to the art of modern painting at the same time, and it is still an important impact on the development of contemporary art until today.This thesis attempts to restore Italy’s "Trans-avantgarde",analysis and discussion on behalf of the artist Sandro Chia’s unique art of painting.In the first chapter, we must first confirm the efforts made by art critic Oliva on the introduction and support of the "Trans-avantgarde".Secondly, further explore the "Trans-avantgarde" located amidst the winds of change background,and the relationship between United States, Germany, Britain, and similarities and differences between different countries such as France’s New Expressionism.The historical value and practical significance of the "Trans-avantgarde" special emphasis of its "hodgepodge" trait,and on behalf of Sandro Chia, which is the most academic value of the preliminary introduction.Last two chapters are the key chapters of this thesis.First of all, the author from the "return", "innovation" and "diversity" of the three major themes of Sandro Chia’s art of painting a detailed discussion of the study.Based on the development path of the extreme linearization of modernism, the other several ultra avant-garde artists have turned back to the tradition,the broad art in the history of free roaming, easily absorbed rich resources,all the history relates to an important style,no reference style or ready-made rules,in any way you choose again on the question, ridicule, imitation, mixing, decomposition.This variety of artistic style mixed hybridity constitutes its unique artistic style.He always follows his own heart, imagination and intuition to create,always in a constant flow of change to the audience is always changing and abstruse meaning of impermanence.This is when it is still avant-garde.The third chapter deeper excavation of the classical myth of the classic theme of the new modern interpretation of the theme.Compared with the classical masters "elegant, noble, aesthetic",Chia looks like a rampagein the classical temple,He delivered the soul and the body to the devil who created it and the "farce" "blasphemy" depicts a divine theme with "disharmony" painting combination with great size、bloated ugly human body、full of bold color and some from classic works of composition to heroism attitude to history of ironic banter.He has a sense of discovery, copying the past tradition,putting it in a new environment.The audience stunned and amazed, also generates a new visual impact and emotional experience.With his clever insight and continuous flow of change of creative consciousness with history of Western art into a symbiotic development of a multi linear lively picture.The deeper proof of the "Trans-avantgarde" itself has a strong avant-garde.His art is worthy of our study,having great significance to our artistic creation.