On The Imagery Of Wind And Rain In The Tang

Literature and art are beyond time and space, it is specific environment, is the embodiment of the human emotions human truths of development and national cultural psychological testimony. Rain early in the "book of songs" images of aesthetic world of already entered human, get in offspring poet of displaying and intoned comprehensive in ancient Chinese poems, is one of the earliest images.Nature and man are inseparable, rain as a natural phenomenon, were different times poet consciously choose to processing, and embodies the poet's emotion and will. Rain cold, QiMi, bleak, can make all touch sensitive characteristics of homelessness, causing them to the poet of life is short, future frustrated, lost from the group, while the feeling as occasionally poet's emotion experience also subsequently to infiltrate rain imagery in. Rain from pure natural object development as the symbol of literati with poet, mood set up stable emotion corresponding model, is in the tang dynasty was able to determine.This paper in the tang poetry images the accumulation of rich wind emotional connotation and unique times spirit as key points of discussion. Full text ZhengLun, endnotes by introduction, three components. Preface part of writing the paper origin and current research status of imagery storms.The subject of this paper is ZhengLun composed by four chapters, where. The first chapter basically introduces image in the meaning in Chinese ancient literary theory, on the basis of analysis of the image and artistic conception relationship and difference between the implied, metaphor, image than, xing sex and poetry traditional relational. In clear after the concept of the image, further explained the rain in the beginning of images produced by the virtue of the myth factors. Rain imagery of the uniqueness in agricultural production and rather than an inalienable intimate relationship, and the cultural psychology of ethnic and national character formation formed the potential impact.The second chapter mainly analyzes the connotation of the emotional storms imagery. According to rain image conveys emotion is xi is sorrow, can will rain image into leisurely classes and sorrow class two types. Wind is suffering consciousness and its core meaning struggle spirit, make rain image to become already includes different emotions such as human emotions, but also has its own core screening typical image meaning. This typicality in tang poetry have been fully manifests, poet abundant emotion experience and artistic techniques make rain imagery of the typicality and typifications liberal programs, casting a poet personality factors, also reflect the collective common characteristics.The third chapter research analysis with other imagery of the rain imagery, discusses the relationship between storms fallen petal, wind and rain night and rain dream three storm the emotional connotation of images. The fallen petal, night and dream imagery in full in the tang dynasty, chanting quite different, dedicating its emotional connotation and lenovo pointing also are representative. Rain image and the combination of the three images on the emotion different records, but each kind of state are two kind of image fusion of functional context with derivative.The fourth chapter first discussed under the environment of tang dynasty special times poetry and political connections, rain image become close contact with political tang poet inner externalization under the symbol, poetry and poets life encounter closely related. Then discusses the emotional connotation in rain image in different periods of the development and changes of tang dynasty. In different period of imagery of the selection, poet sections. Facing the same image, different poet is also showing different characteristics. The poet's personality and times of common perfect fusion.Epilogue part summarizes storm in tang poems in emotion and art images on achievements.