Feel Of The Carnival

Decarl says: I think so I am here.Quindera changes it wittily into: I feel so I am here.There are the revelries of feeling in Moyan's novels. In his works, feel has become his writing target and narrating means. His paying attention to feel has deep ideological purpose. That is to say to break through the restriction of idea existed already in former other novel writing. He puts forth effort on the description of the sense organ and subjective feeling, replacing reason analyzing and leading status of story plots by feeling, transmitting mood in the psychological mode of narrating subject and expressing the author's intention. Through the stimulus to the sense organ and the desire expressing, human nature and destiny are analyzed and the surviving state of mankind is philosophically thought and metaphorically expressed. It is communicating to finish the vivid remembrance to history and to remedy the ruptures of historical time through feeling at the same time. It is not the description with a delicate touch, but with the dense and serious colors; not by the limit of provincial rule at the level, but by a powerful and unconstrained style. No matter the style or the language is belonged to revelries of writing and it is belonged to the inheritance to cultural spirits of the region of Shandong. It is the echo to the Confucian happy culture and folk supernatural concord of spirit of wine. It is also the portrayal of passion that comes out from the extreme emotion: the deep hatred and love to his homeland, as well as it is the psychological release from the oppressive life in his childhood in the countryside. It is even more influenced by the sense of estrangement, the sense of tense and the sense of alienation that come from the contradiction produced among between rural area and city, traditional and modern and also the people and the mainstream.