Font Size: a A A

Shou "outlaws Of The Marsh Leaves Of Chinese Figure Painting Image Modeling

Posted on:2008-02-08Degree:MasterType:Thesis
Country:ChinaCandidate:D Y LiuFull Text:PDF
GTID:2205360215975596Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Chinese summary of the development of traditional Chinese figure painting in the course of several thousand years. Mindful gradually formed its own unique aesthetic form, which occupies an important position in world art history. Emigrated in the history of a Chinese Painting Masters -- a splendid history, Chen Hongshou's. There are hundreds of works in his lifetime, "Shuihu leaves" modeling delicate exaggeration ink Ben Plaza. China is unique in the history of portraiture. Chen Hongshou's virtual modeling Chinese painting, abstract, decorative application of the basic laws of creation, to form their own performance far exceeds the importance of accurately reproduce the images. This is of milestone significance in the history of figure painting. "Water Margin leaves," the reason for the higher assessment is the author of the plastic arts of the Chinese people the true meaning and essence of painting, image modeling. It is the Chinese nation philosophical, aesthetic ideas nurtured results.This paper first in-depth inspection on the basis of traditional Chinese figure painting, portraiture to that of the traditional "to" the pursuit Images from the past and the understanding of different areas of study and explain the specific imagery to grasp the meaning. "Images", and to explore the philosophical foundation. Painting a concrete link different times. Analysis of Chinese Painting Images produced by the different aesthetic charm and aesthetic expression. Secondly, the author portraits Chen Hongshou's artistic achievements, analyzing the creation of the "Water Margin leaves" historical and cultural backgrounds. Images explore the characteristics of Chen Hongshou's "Water Margin leaves" a concrete expression to explain the works of "image" spirit. Finally, the development of the Contemporary Chinese Painting, people's minds, as well as aesthetic delight are constantly changing. Western modeling concepts and methods of integration. Modern Chinese Painting figures in the creative process of image processing encountered new challenges. The picture of harmony or lack of charm, is generally considered to be due to the dense lines contrast, the physical structure, Modeling image of a lack of integrity or lack of co-ordination ratio. But it is the cultivation of the arts as artists, as well as take shape modeling inadequate grasp the sense of being bound. Under the influence of Western painting in the traditional sense of the shape memory and application is very important. Therefore, to conduct in-depth understanding of Chinese painting shape the inner spirit of innovation in form and persist, correctly handle the creative process of "intention" and "like", is a better handle on our traditional modeling concepts, The key lies in the form of self-awareness training.Therefore, the awareness level is the form of the plastic arts skills level, "Image" we have inherited and carried forward modeling. This trend in the world of painting collision also the cultural context of each other to maintain the healthy national figure painting and the development trend of creating personalized, strong ethnic characteristics of the high level of entries promote national culture has a very important significance.
Keywords/Search Tags:Chinese Painting, Imagery Modeling, Chen Hongshou's, " Shuihu leaves "
PDF Full Text Request
Related items