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Telemann Thirty-six Fantasia, Analysis And Research

Posted on:2011-04-12Degree:MasterType:Thesis
Country:ChinaCandidate:D WangFull Text:PDF
GTID:2205360308981635Subject:Piano teaching and playing
Abstract/Summary:PDF Full Text Request
Now people always pay more attention to Bach and Handel when we mention to Baroque musicians. Georg Philipp Telemann and his music works are relatively unfamiliar to most people, however, his music is as fascinating as his legendary life, Telemann has paly a vital role in the transition period from Baroque music era to classical music era.As one of the important work of Telemann's solo keyboard works, "THE 36 FANTASLAS FOR KEYBOARD" deeply reflect his typical music style—some one has generalized it as "the garden style", which are gallant and elegant, the whole work is constituted with 3 dozens of short pieces, although the work be titled "fantaslas", essentially, it can be classified into the early sonata and ancient suite according to its music structure and music contents. The research in this paper contain several aspects:the structure, the melody and the rhythm, the analysis also involve performances practices concerning the application of ornament and pedal. With increasingly concerns about Telemann and his works in recent years, the unique artistic charm of his music are gradually acknowledged to more and more people, also, we have the responsibility. to promote Telemann's music work extensively.
Keywords/Search Tags:Telemann, the 36 fantasias, music style, performances practices
PDF Full Text Request
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