The Annotations Of LinChi Matters Of Zhou Xinglian And The Research Of His Calligraphy Theory Thought

In the contemporary social economic integration of today,Whether calligraphy creator, or calligraphy theory critic, is often affected by some factors which influence the utility so as to lost creation direction, criticism, and aesthetic standards. To change this situation, based on the literature research methodology, this thesis first gives the detailed annotations of LinChi matters of Zhou Xinglian, and makes carding and studies for the ancient book review and phrase involved in it in order to get learn certificates to fully understand the essence. Meanwhile, this thesis also makes carding, analysis and conclusion on relevant literature and makes detailed research on ZhouXingLian calligraphy theory. And it is divided into three parts:in the first part, it studies ZhouXingLian's "techniques", finding that he has his own ideas about using the pen, making the ink structure,composition, such as learning from technique theory mended; the second part is the study of its spirits. The ZhouXingLian introduces the calligraphy and ethics lyricism factors into the process of calligraphy creation, emphasizing the importance of subjective factors. This paper studies its "spirit" view of performance respectively from the two aspects of "express my mood," "express my moral virtue"; in the third part, this thesis gives the analysis of the fact that "Chinese calligraphy and painting has common characteristic" theory proposed by Zhou Xinglian, summarizing the universality and individuality of Calligraphy and painting.This paper studies LinChi matters of Zhou Xinglian from point to face, smallness to bigness and layer by layer, trying to make the contemporary calligraphy artistic creation and criticism and aesthetic standard return to tradition itself, understand and know the tradition by nature.