| Compared with traditional industries, the cultural-creative industry with knowledge,high-tech, high-risk, high-yield and other characteristics, which means that it is bound to bepeople-oriented collection, and the most valuable is human capital and intellectual capital. Ofcourse, in addition to the human factors, the steady and rapid development of the culture-creativeindustry also needs the strong financial support. Venture capital is an investment mechanism whichis certainly the most completely to recognize the value of human resource, and play an importantrole in knowledge economy and the development of modern science and technology. Facing to thefinancial bottlenecks of the cultural-creative industry in China, the involvement of venture capitalwill greatly facilitate the rapid and effective development of cultural-creative industry. This paperis to focus on how to establish contacts between the venture capital and the cultural-creativeindustry so as to promote the development of the cultural-creative industry quickly. This totalconsists of five main parts. This first part is about some relational theory, focusing on the industrylife cycle theory, financial innovation diffusion theory and real options theory, which prepares forthe research behind the article. The second part has detailed analysis of dynamic correlationbetween the venture capital and the cultural-creative industry. First, it expounds the meaning of theventure capital and the cultural-creative industry. Second, it shows the intrinsic link between thetwo. Finally, it analyzes the dynamic correlation between the two industries, and gives animationbusiness as an example to have a specific explanation. The third part analyzes the status quoin-depth of which the venture capital supports the development of the cultural-creative industry.First, it summarizes the financial status quo of the cultural-creative industry, including thecomparison of the financing mode between domestic cultural-creative industry and internationalcultural-creative industry, the comparison between the venture capital and other traditionalfinancing methods, as well as the status quo characteristics of which the venture capital supportsthe development of the cultural-creative industry. Second, it summarizes the difficulties andchallenges in the docking between the venture capital and the cultural-creative industry. The Part IV and Part V prepare for the difficulties and challenges of the third part and are the solutions andproposals to them. The fourth part has a detailed analysis about the application of the real optionsmethod in the value of the cultural-creative risk-projects, so as to resolve the difficulty of assessingthe value of the cultural-creative risk-projects. The fifth part gives some suggestions to guaranteethat the venture-capital can support the development of the cultural-creative industry more quickly. |