Immortal Region

Mawangdui tomb unearthed in Changsha, Hunan No. 1 opened the tombs of the Han Dynasty funerary arts, culture and belief and ideas of the door, paint the coffin in which the image to the world bring new research horizons, many of the problems is worthy of mining and exploration. This article seeks to form from the following part of the "immortal realm" of the paper and paint images of coffins.Introduction Part focused on the tomb of painted coffins Mawangdui comprehensive positioning of proceeding described in small two painted coffins Mawangdui Tomb No. 1 of the meaning and value, and the scholars reviewed relevant academic research on the history of lacquer coffin status in order to identify problems of this paper to discuss the issue and finally lay the foundation to solve the problem.The first chapter focuses on the establishment of accountability to the core of this article - Mawangdui lacquer coffin tomb No. 1 image and culture, specifically the need to think about and discuss issues and solve problems; and Mawangdui Tomb No. 1 tomb, paint coffin coffin images, location and paint to do a basic introduction to relevant archaeological material, so as to study the following are discussed laying the groundwork.The second chapter is divided into three sections by the dragon, tiger, deer, birds, fetish image analysis, specifically discusses the large number of images depicting the third floor to painted lacquer coffin coffin Zhu Ling and the group with the composition of matter; Fetish selection and the concept of four gods, good fortune, the relationship between popular; and Zhu to paint images of the cultural significance of Spiritual formation. To clarify "the way of becoming immortal" in the soaring power of image culture tool.The third chapter focuses on the coffin Zhu mountains to paint the image with the mountains of knowledge and belief, first of all, the location of the image from the mountains and the combinations to determine the importance of its value, and then contact ancient records in the mountains of faith, discusses the Kunlun and the relationship between mountains, and the difference between the Kunlun and geographical records of the Kunlun mountains, Kunlun and the "Emperor" of the relationship between political power in early Chinese burial culture, the image of the Kunlun mountains to consider three aspects of thinking and cultural significance of the transformation and Kunlun mountains Of Significance relations, and to explore the mountains paint the image in the Grave Guanzhong’s "directions" function, the image of the entire coffin Picture stories paint an important part in the program.The fouth Chapter is intended to determine the coffin Mawangdui Tomb paint the edge of the Black Lands painting patterns patterns in nature with the building, the "castle" pattern, which is the past, scholars have not yet the studies. With "mountains", "water", "high-profile" and other small patterns, to illustrate the second layer coffin constructed a set of patterns with the hall nature of the "Wonderland City" image, is the souls of the dead place and attempts to explain the meaning of patterns of image study and paint the coffin in the whole image and role of the significance of the system.The final chapter in series the first four chapters, and the significance of the image to be integrated to draw comb, and strive to restore the image painted coffin Shengxian system constructed to answer questions of art history program on the role of the Picture stories. Divided into three sections to paint the coffin of the image, decoration consisting of belief and the direction, layers of paint the coffin and the graphic design program with Reading Maps mountains Qin context of image and culture, then the relevant content.