Investigation And Research On Guangxi Miao Mang-gao Mask And Maonan Mood Mask

Mask play an extremely important role in a broad array of folk art forms of china, from the ceremonial Nuo face to recreational use theatrical masks, from ancient to modern times, it has been accompanied by Chinese people. The surface of the mask as just a decoration, it actually reflects the times, regional, ethnic, folk and many other aspects of culture, different times, regions, nations created mask form feature and the cultural connotation are different. In Guangxi Miao nationality and Huanjiang Maonan region religious sacrificial activities appeared in the mask, the content of these masks which represents the group believed in gods and ancestors, they think of these masks have supernatural powers, dispel the disaster and pray for the blessingThis paper, take Guangxi Miao mask and Maonan wood surface as the object of study, with its origin, aesthetic, form three aspects as the breakthrough point, comparison of comprehensive art, psychology theory, the theory of cultural anthropology and other research methods are described, in the in-depth study to understand Guangxi Miao and Maonan mask art culture value at the same time, exploration Guangxi mask art on the enlightenment of Modern Chinese painting and its probable application in art education. The main contents are as followsChapter Ⅰ, take Guangxi Miao and Maonan Nationality historical culture origin and development as the background, use the views of American psychologist Maslow presents five demand point of human psychology and Maonan Nationality folk custom culture as the theoretical foundation, analysis and reasoning the context of the occurrence and development of Guangxi Miao mask and Maonan wood surface and pave the way for the later exposition.Chapter Ⅱ, To explore and compare the aesthetic culture of Guangxi Miao and Maonan mask art, discusses the sublime and caracal appears on aesthetic characteristics of the Miao Mang-gao mask, analyze and compare the beauty and simple beauty characteristics ofMaonan wood mask.Chapter Ⅲ, Comparison of the shape characteristics of Guangxi Miao and Maonan mask and analyze and summarized the similarities and differences of the two kinds of masks in art form.Chapter IV, Summary the influence of mask art on modern art, A detailed description of the expression and simple of Africa mask art, and take the modern western artist Monck, Picasso, Modigliani’s representative works as examples, research shows that Guangxi Miao and Maonan mask in the pursuit of art and aesthetic style and its producing confluence. Finally, in the side with a round morphology in Guangxi Miao and Maonan mask, see the new exploration of character modeling language of the modern Chinese Color painting artist HU Yongkai’s.