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The Aesthetic Orientation Of The Song Dynasty Ceramics And Aesthetic Characteristics Of The Study

Posted on:2013-05-30Degree:MasterType:Thesis
Country:ChinaCandidate:T TanFull Text:PDF
GTID:2235330392460002Subject:Art of Design
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China has always been a wonderful country, and create a lot of history and amiracle. Working people in ancient China use their own creativity and imagination towrite a powerful one with a magnificent chapter. Arts and crafts in China in theachievements can be said is one of the many magnificent chapter in an outstandingrepresentative. Ancient arts and crafts achieved more praise for the people in theworld, craftsmen endless. Arts and crafts of ceramics belonging to the most rapiddevelopment, arts and crafts on the history of the world the most profound impact.Song in the political implementation of the "culture rule" policy of the country,with the rulers’ heavy paper suppression weapons,"the idea, greatly enhance thesocial status of the Song Dynasty scholar, makes the whole community’s culturalquality has been improved. And reduce the exorbitant taxes and levies, reform laborsystem, reducing the burden on the people, liberating the productive forces; in theeconomy, to develop business, forming a large commercial system, the competitionfierce. With this excellent environment, the rapid development of the Song Dynastyceramics, and formed its unique aesthetic orientation and shape features. Song ofspecial aesthetic orientation and aesthetic ideas have deep historical reasons andpolitical reasons, to be in shape and decoration on the control and restraint, butprecisely because of this control and restraint, so that in the history of Chineseceramics alone splendor, made brilliant achievements. It created a new aesthetic style,the history of world ceramics in a wonderful work.This paper describes the production of pottery and its impact on futuregenerations to explain the appearance of pottery is the embodiment of humaninitiative, is a sign of humanity into the Neolithic, and the emergence of pottery by themigration of human life into the farming life to promote the the role of point of view.Through the history of the Song Dynasty ceramics flourished status and developmentof the inevitability of its description and analysis, the development of the SongDynasty ceramics are reviewed. Song ceramics aesthetic orientation and shapefeatures of the main contents of the article. In the Song Dynasty ceramics aesthetic orientation of the study, made a feudal ideology, political culture, religion, science,lifestyle, technology and other factors on special ceramics aesthetic impact that itsspecial aesthetic implication. Characteristics of the Song Dynasty ceramics in theshape of the study, from the shape of the law, the law of the two major aspects glazedecoration, and the combination of the five famous kilns of the Song Dynasty stylecharacteristics of their analysis and summary, the shape of features on Song ceramicsare discussed. Concludes with its inherent "natural","Heaven" aesthetic ideas and"things that use","people-oriented" design philosophy.Song ceramics from the study of aesthetic orientation and shape features, wefound that any time of the ceramic objects are essentially the same, all the people atthat time in order to meet the aesthetic and functional needs, their only difference isthe shape techniques and the development of the manufacturing process changes.Song of the craftsmen who have a pioneering spirit, courage and innovative spirit.Song from the former to pursue the "elegant""beautiful scene" of aesthetics, to thepursuit of "natural","back to nature" aesthetic ideas, from "sat on the floor" to "pedalwhile sitting" by the former the Buddhist to believe in Taoism, this series of changeson the Song of the artisans is a challenge and test. In this challenge, the Song of thecraftsmen who did not flinch, but a positive response, created one miracle afteranother, reflecting the strong creativity and imagination."People-oriented" designphilosophy since ancient times has been a designer who always followed the samerule, is the eternal theme of the design. In the Song Dynasty ceramic works, we canfind the designer not only to meet the needs of society at that time for the aesthetic,but also for its function is also done to maximize the design. Song ceramics thatperfect blend of cultural aesthetics,"people-oriented","objects that use the" designconcept and the times, and innovative spirit of our modern designers to learn andvaluable asset.
Keywords/Search Tags:Aesthetic orientation, shape characteristics, nature and man, things thatused to people-oriented
PDF Full Text Request
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