The Research Of Acoustic Potential Energy On Film Works

The word “Shengshi” originally meant a man’s prestige or the tendency ofsomething in Chinese culture but, in the field of art communication, suggests the ideathat artists arouse and awaken the viewers’ psychological reaction in order to appealto them and promote the repeatable aesthetical appreciation of the art work by meansof acoustical methods in possible coordination with some visual elements. That is tosay, it is some sort of potential energy throughout the entire process of artcommunication where it can be not only a technique for an artist to be capable ofdominating art fascination and showing off art tension and but an impetus of art workoriginality. The purpose of this writing is, referring to Chinese and Hollywoodblock-busters, to expound on artistic creators’ habitual manners, upon which howartists charm and attract viewers will be discussed, via the“Shengshi” theorycombined with concrete cases of films. Then the central point of this paper will beclarified that the acoustic potential energy can become the driving force in the processof art creation.The thesis begins with the concept of potential energy in physics, in the wake ofwhich, an entirely fresh idea is brought that the concept is introduced into the field ofart. Afterwards, the emphasis is put on the perspective“sound”, from which theacoustic potential energy is elaborated in the following statements of this paper.In discussing the acoustic potential energy, the thesis is originally based uponrelevant theories, at all times and in all over the world, which include, in chief,physics, psychology, and classical literature in China. Integrating the inherentcharacteristics of sound, the thesis deeply explores the properties of the “soundenergy”. To prove the universality of this kind of energy, the thesis subdivides thetheory of the energy into two concepts——Qianshi and Houshi——of which, theconversion of both different psychological energy is further discussed. Therefore,during the process mentioned above, Shengshi, as brand-new conception in the fieldof mass communication, is being constructed.The logical organization of the thesis is shown in the following statement:primarily, the issue as to how many angles from which we should treat and analyzethe theory Shengshi is meticulously argued; secondly, the basic qualities of this typeof energy are tentatively concluded, and meanwhile, a great number of cases drawn from common art works are offered in order to illustrate its rationality; thirdly, itsfundamental types in the field of art communication, which have their respective andtypical modes, are elaborated in the purpose of dissecting the technology of the artcreation in a more direct and effective way; eventually, the immediate application ofthe theory to film works, from the perspective of potential energy, innovativelydeciphers the sound of movies, thus more strongly substantiate its value andnecessity. The analysis of concrete film cases does not just remain at a place wherevarious kinds of modes are embodied among these creations but emphasizes howdirectors efficiently utilize the psychological energy of sound to move the audienceand intensify viewers’ emotions, thereby making the theory more close to a kind ofskill, a mechanism during the process of creating movies and then more persuasivelymanifest the central idea that the latent psychological energy of sound can become themotivation of art works.The objective of the thesis is to find the regular patterns about how to please theaudience via the research into the sound of Chinese and Hollywood block-busters andafterwards, to hopefully provide the direction toward the design of sound.The significance of the subject is profound and far-reaching. The discussionabout the technology of Chinese and Hollywood block-busters such as the music,sound, sound effect, stage dialog and their relationships with frame will bring thetheory about potential energy and films into the study of sound, resulting in theexpansion of horizons in regard to investigation of sound in our country. Besides, theconcept Shineng will be introduced, during which, a kind of latent psychologicalenergy of sound will be discovered in film art works.