"patricide" And "without Father" In The Rebellious And Loss

As a second generation of Taiwan’s film "New Wave" in the high-profile director,Tsai Ming-liang’ film with his portrayal of a line drawing of the post-industrial society all the living condition of Azeri, depicts the material production of highly developed capitalist society Azeri spiritual emptiness and confusion does not help reveal the contemporary people facing crisis. Among them, father and son relationship motif of the film subverts the traditional culture of ethics and his son, become the focus of heated debate. In the past on the study of Tsai Ming-Liang’s works, its focus on interpersonal alienation brings people the emptiness and loneliness, themes, and for his work in "water" the symbolic significance of. For the" paternity" and" father " the significance of symbols as a key research object research literature does not see more, however, after careful study, we found that, the two objects in the works of Tsai Ming-Liang’s overall theme plays the components play a decisive role," father" is not simple sense of the parents.In his film, he deconstruction of the way, from the form and content will mercilessly destroy the traditional family ties beyond recognition. The mother of this family are neither good wife nor good mother, counter-example is an affair, there is no father in the family head of the family’s authority, not only petty and even humble and hard to engage with each other to meet the desires her son. Described as "husband does not husband, wife not his wife, the father not father, the child is not the child." This by writing to the desire to expand the character’s inner room, close to the character’s inner truth. Reflects an anti-rational tendencies.It is this lack of center, not necessarily, there is no reason-there is only confusion and loss of self-body loss, the uncertainty caused by the various difficulties and endless desire surging pain. Let us in a strong shock after the tragic reflection of their own existence.Patriarchal digestion in the interpretation of this article to Tsai Ming-liang film this phenomenon, through the analysis of "father" and "son" metaphor of the two images in his works, from different sides to show indifference in the modern city of moral turpitude of loneliness and desire hidden behind the expansion of the individual and modern society people to rebel in the traditional perspective, is empty and lost. Works have revealed a desperate breath back, looking for true hope.