The Reserach About Buddhism Music In Tang Dynasty Of Wutai Mountain

The ancient Chinese music history recorded in the ancient literature books everywhere, however, due to social change, history of science and technology, social system and so on the objective causes many of the history of music failed to spread. For many years, Chinese ancient music history in the long-term, the lack of sound for "no music history" state. Even in the face of Chinese traditional music in the music and has retained at present still have music tunes, everybody is public opinions are divergent., the authenticity difficile.Study of music history in China, there is a new start area of research, called "textual research on tune", was first proposed by music historian Mr. Huang Xiangpeng."Textual research on tune" is a based on the age of the history of music in music theory, law theory, poetry, music and cultural characteristics and other factors to the identification of ancient music one survive this music in the textual research method. For textual research on tune an ancient music from the ancient literature, in the tone name records, adjustable high, mode scale structure, head position, with word format, language phonological aspects prove to be determined.The music of Tang Chuangu or of Tang music textual research the existing ancient music scores, is an important content of modern music history. With the Dunhuang music discovery, Japan, Britain, New Zealand, Australia, Germany, the United States and other scholars have participated in the study, which will be an important part of international sinology. In this field, Chinese scholars working the longest history, the largest number, in the ancient music of the most abundant, they provide a lot of translation and speech spectral scheme plan for us, is one of the most important research strength. While the western scholars to join, promote the relevant materials, methods and results of communication. Thus, it provides the powerful reference the former people’s research results of this thesis writing.The first chapter, the Buddhist music in Mount Wutai. This chapter mainly gives a review of the Buddhist music of Mount Wutai, including the origin and development of the Buddhist music in Mount Wutai to do a demonstration, as well as the genre and form, the music used for musical instruments and the band to do a textual research.The second chapter, the Buddhist music of Mount Wutai see scores of deposit. This chapter contains two parts, the first part is the basic situation of the Buddhist music of Mount Wutai, including the spectrum of the source, the name of the spectra of the repertoire, notation and tuning musical instruments to do detailed introduction system, the second part of the deposit; see music tracks from the comparison research.The third chapter, the Mount Wutai Buddhist music saved Tang Quzi’s literature research. This chapter is based on Chapter1, firstly discussed, and the research methods of textual research on tune next, using the method of textual research on tune completion step first and four steps, respectively, to find out and "jiaofangji" the same name in the song, and the song in the ancient literature records the situation.The fourth chapter, spectrum of Mount Wutai Buddhist music saved Tang Quzi’s translation. Perform spectrum on Mount Wutai for the spectrum found in this chapter, and compared with the sound of music, through the analysis of the melody, music, further verify the real Tang song.