| In Chinese contemporary literature, Zhang Chengzhi has always been attended by thecritics. Because of its creation showed a distinctive personality style, more important is itsunique creative theme and the apparent creative mindset. This paper attempts to analyze thearticles of different times by Zhang Chengzhi, deeply explore of his journey and spiritualpursuits, and strive to make a more realistic reveal the creative mentality. The article isdivided into six partsIntroduction part: the unique life experiences of Zhang Chengzhi make him deeplyinclined on the wonderful pursuit inherent in the Northwest folk humanity, which determineshis ultimate spiritual destination of personalization features the theme of his work-againstthe secularThe first chapter: In Zhang Chengzhi considerable number of early works, the dominantHan culture and minority culture among the edge of the in-depth thinking and control, andplace them in the course of history of Chinese culture to be studied, build on the basis ofpersonal and historical dynamic inter-related, the perspective is strongly focused on the macrothemes of the public the reality of time, negative expression will be placed opposite ofmainstream culture. His resistance to the cultural "otherness" is precisely shows the profoundideological crisis.The second chapter: in the1990s, Zhang Chengzhi critique of contemporary Chineseintellectuals intended to avoid responsibility for the phenomenon, indicating that theresistance group of intellectuals. He believes that the intellectuals, especially writers, shouldadhere to the dual perspective of intellectuals and bottom of the public to observe and expressthe reality. This is a basic concept of his creativity. Zhang Chengzhi’s resisting writing is notsuperficial or chanting empty formalism, but of great practical significance of the vane.The third chapter: Zhang Chengzhi’s spirit has gone through a transmutation process. Thebasic development trajectories are authoritative discourse integration compliance-God carols-religious dedication.The forth chapter: Zhang Chengzhi and Lu Xun showed great similarity,in terms of theideological content of the work or stylistic form. On the ideological content of the work, the"resistance" is their common theme; In literary forms, they have experienced from fiction writing essays, prose, creative transformation, and the reason for this shift is very similar, theessays and prose critic profoundly can be issued more powerful sound of resistanceConclusion: the Viewpoints of ideological development experience from the emotional tothe rational development of his "resistance" is a dynamic change process: his early novelsfocus on the edge of minority cultures, and in order to examine and resist Chinese culture; inlate1990s, his writing is more highlight the features of the integrity of the nation, that is theway to resist modern Western civilization in his proseIn short, the theme of Zhang Chengzhi creating more lasting is against the secular. Thistype of theme of the works to build a relatively complete expression system, which not onlydemonstrates the deep thinking of Zhang Chengzhi the entire history and reality, but alsoshow the personalized values and the resulting decision against the secular culture mentality.It can be said that the "resistance" is the essence of the content of the text, but also thepurpose of the creation. Different text forms a powerful tool for the purpose of "resistance",but that does not mean the creation of Zhang Chengzhi is a simple utilitarian behavior. Incontrast, in the process of expression against the subject, he inspects the complex relationshipbetween history and reality seriously, he sought through a variety of literary image of thehistory and reality expands the dialogue of a number of different levels. Intends to set up sucha dialogue mode, on the one hand, showing the writers against the secular thinking to thecontrol of the Chinese minority culture, Chinese culture and Western culture, on the otherhand also makes the work presents a richer social and historical connotations. |