| Western missionaries image in chinese modern and contemporary fiction is subordinate Imagologie research areas of special exotic image, it’s specials is not only reflected in its strong exotic culture, also reflected in the combination of its activities in china and china’s modern history. Chinese modern fiction is focused on the performance side of the missionary invaders, makes this exotic image reflects the opposition between different ethnic groups;But chinese contemporary fiction will be turned to the missionaries who narrates the endorsement of western culture, wrote their humanity in the cultural conflict. Changes by missionaries portrayal, we can see the chinese historyã€culture and social development, can feel the chinese literati intellectuals and cultural reflection on the national mentality.The first part of this article interpretation of related works, system combing modern and contemporary chinese fiction missionaries image, and combine facts, use they come to china’s purpose of classification as standard to classification. The second part in-depth analysis of intergenerational differences missionaries image, and hidden behind this profound reasons for the differences, and use of imagologie theory, from on the "other" perspective point of view, exploring chinese writers in this changing the image of an exotic species held by nationalist feelings and personal writing position. After being out of shape relative kept silent on the image of the missionary, the chinese writers actually prefer the performance of the national self-identity. Refracted image by missionaries out of the crowd like china, chinese writers have found this path of self-identity:the performance of the entire nation with a representative group. The third part from the missionaries as "the other" as a reflection of the chinese christian Identity and anti-clerical parties in both directions starting identity, the identity of the co-directed the entire chinese nation identity. |