Quote The Late Qing Studies

Calligraphy is the study of the origin of the book which merits and trace theauthenticity of the knowledge, but also refers to the Wei and Jin Dynasties calligraphyschool advocating the calligraphy copybook. Calligraphy has a long history of origin, fromOracle, Zhuan, Li, Zhang Cao development, to Jin Kai, lines, grass, seal, belonging to fivebody in Wang Xizhi’s hand reached maturity, it started to establish turn based momenttransfer extension in the Northern Song Dynasty "Chunhua Pavilion" was posted on astraight, influence yuan, Ming, Qing calligraphy spread.At the end of the Qing Dynasty calligraphy has the development of its own, taking thepost as the object of study. In this paper, by the end of the Qing Dynasty calligraphy as theobject of study. The reason is compared to the contemporary art of calligraphy, people paymore attention to textual research, development and stone monument monument learnscience to study, and to study calligraphy paper less and less, more representative is CaoJian’s "late Qing Dynasty calligraphy research", such as "Sun Xuefeng" monument study ","Calligraphy "calligraphy history researching" and "in the late Qing Dynasty and integrationof stone inscription calligraphy thoughts and practice", the only part relates to calligraphy.In this paper, the end of the Qing Dynasty calligraphy history as the main line, through tothe Qing Dynasty calligraphy, calligraphers and related works engraved Posts data textualresearch, the calligraphy development of a series of objective analysis, takes a critical lookat the rise of tablet calligraphy calligraphy development covering the phenomenon, clarifythe truth of the history. This paper is different from other articles on boring on history andtheory, but by using the method of investigation method, comparison method, literaturemethod, exploratory study method of late Qing Dynasty calligraphy research. The booktheory together with practice of calligraphy in the late Qing Dynasty calligrapher and theirbook wind inquiry, from the calligraphy development trend, calligraphy, engraved with theconcept of development, calligraphy influence four aspects to study. The innovation of thispaper is combining historical and aesthetic point of view, through the late Qing Dynasty calligraphy genre and calligraphers writing style, study on the calligraphy development vein,far-reaching impact on the domestic and foreign outstanding the calligraphy educationproduced.The significance of this study is to restore a more realistic in the late Qing Dynastycalligraphy development condition, elaborated at the end of the Qing Dynasty calligraphy isnot as Kang Youwei said "the calligraphy big bad" judgment, Kang Youwei advocated SteleStudy in this period only occupy the mainstream book, although there is a certain effect butdid not make the calligraphy was replaced or die, calligraphy is still in its own way tocontinue and affect the aesthetic trend, with people’s aesthetic tastes change, calligraphywill eventually return to orthodox, occupy the mainstream.