The Mass Aesthetic Thinking Of Painting Creation Impact Study

Since the Ming Dynasty Western painting was introduced into China, and Chinesetraditional culture of mutual integration, has experienced400historical. After thereform and opening up, with the development of economic, social, aesthetic thinking thepublic began to diversified development. Chinese oil painting has been affected,diversified development. At present, the humanistic spirit of emerging artists, pop andthe art of irony and multimedia technology for the development of oil painting creationproduced major effect. In addition, this paper based on the based on before, for theconstruction of the public aesthetic under the Chinese oil painting system aresummarized, and the use of their own experience, elaborated the influence of massaesthetic thinking for oil painting.The full text is divided into five chapters, first introduced the importance ofresearch significance and academic value, analysis the research status at home andabroad, research methods and research purpose and research ideas and structure of thearticle; the second chapter is divided into two sections. The first section from thepainting was introduced into China’s development history of western culture, thecollision, as well as the founding and current oil painting affected public aesthetic detail;second section from the mass aesthetic thinking of development of the society, thepublic aesthetic thinking characteristics and the current development situation ofconsumption era of comprehensive induction; third chapter is divided into two sections.The first section from the background of contemporary oil painting of the three aspects,the identity and the operation mechanism of ecological and cultural background, oilpainting oil painting artists are analyzed; the second section summarized thecharacteristics of diversification of the current oil painting, and elaborated fromhumanity, pop art and the art of irony, realism and multi angle of view four aspects. Thefourth chapter is based on the two, the three two chapter basis, thinking, for the currentpopular aesthetic, the main feature of Chinese oil painting: critical and inclusive,transcendental and secular, nationalization and globalization, etc. were summarized; thelast chapter is the conclusion.