"Qi""Cheng""Zhuan""He"

From the seeds of Chinese opera in the early20th century, to the maturity anddevelopment of the40s, after a century of development to China’s national operacreation and performing arts today flowers, with China’s unique style of Chinesenational opera creation and performance art in progress and development, inheritanceand innovation."Handing down" from the yuan, ji "poetic", was originally a term of the literarywriting structure, but in the field of music it is also one of China’s national melodystructure, therefore applies to the creation of the national opera in China, it is both astructural principle, we can also dialectically it with the development of China’snational opera creation and performing arts, to make it apply to China national operacreation and development of the performing arts in the form. Road of Chinesenational opera creation and performance art reflect many excellent works of literatureand art success, on the analysis of the creation and performance of the opera workssummed up China’s national opera creation and performance in reference, inheritance,development and innovation in the fusion.This article mainly from the "QI" and "Cheng""Zhuan"" He"the four points,"Qi"-China’s national opera creation and performing arts from germination to molding(20-40s of the20th century), respectively, from20to30s of the20th century thedevelopment of China’s national opera creation and performing arts and opera"white-haired girl "in the1940s, China’s national opera creation and performing arts"mature "two aspects to analysis;"Cheng"-China’s national opera creation and thesuccession and development of the performing arts (50to60s of the20th century),mainly from the artistic style in the opera "white-haired girl" on China’s nationalopera creation and the inheritance and China’s national opera performance art creationand performance art in the "cultural revolution\" after the recovery and development;"Zhuan"-China’s national opera creation and the development and change of theperforming arts in the1970s, mainly from the70-80s of the20th century, China’snational opera creation and performing arts "variation" and the1990s, China’snational opera creation and performing arts "swing" analysis of two aspects;"He", thedevelopment of Chinese national opera creation and performance art inheritance andinnovation of the integration of development, respectively from the western creationtechnique and the combination of China’s national opera music subjects, thecombination of Chinese national folk opera singing and folk songs, song "play" andthe combination of western bel canto and folk song," beauty" three aspects to analyze.Through the formation of the four sorts of development are analyzed and summarized, to explore China’s national opera creation and inheritance, development andintegration innovation of the performing arts.