Tibet Images:Narrative Symbols And Cultural Implication

In the modern art vision, as a original pure culture image space, Tibet is written and expressed in the field of Chinese art constantly. In the wave of cultural geography words and the film landscape impact of cultural view, the image of Tibet is constructed continuously in the history of Chinese film. Combing with historical context in different development periods, the essay select typical Tibet movie, such as "nong nu","Red River Valley","The Horse Thie"," Himalaya","Mountain Patrol", from Tibet regional identity and national symbol and cultural implication, refining Tibetan narrative elements, interpreting Tibet movie text concentrated extract of geographical images, To explore deep folk matters and cultural significance, and obtain Tibet images national character and aesthetic value.The first chapter mainly talk about Tibet image since the founding of China.Tibetan images in different stages of movie ecological environment presents a unique development trend. In the very first time,National policy and the seventeen years the mainstream political thought side by side.The ideological appeal of the movie is obvious.Tibet images presented by the mainstream culture in the new period is geographic spectacle narrative mode.Many excellent films were on the screen.In snow area plateau enchanting scenery, ethereal sacred Buddhist culture and legend of the national image,form a unique geographical landscape aesthetic character In the southwest of the local style and features and diverse collocation of the traditional and modern culture idea.Image recording reinterprets the new way of expression of regional culture.The second chapter focuses on shaping Tibetan geographical identity of the image.In the vertical deeper level of "Heaven and Earth and Man",From three angles:natural symbols, survive places and narrative space, analyze natural landscape and spatial sense of Tibet images.In the mountains pitch vision and continuation of life,to explore the situation of human existence.And then to find space imagined aesthetic appeal and aesthetic presence,interpreting cultural landscape of Tibet images,highlights the Aesthetics characteristics of Chinese Film.The third chapter is about Tibetan national symbol of the image, from two aspects: material artifacts and spiritual content. It presents a image of Tibet by the surface symbols and external scenes such as home features symbol system of daily life. Mining in the folk inheritance known epic material folk spectacle and breeds social codes of folk ritual significance,exploring Tibet in the national style and aesthetic idea.The fourth chapter is about excavation of cultural implication contained Tibet image and national spirit. Expressed by the images in Tibet and fiction imaginative relationship.With full of romantic imagination of myths and legends and traditional art forms such as folk performing arts spiritual narrative embodies the collective identity of national culture.In the representation of religious elements and folk culture throughout the complete expression of spiritual beliefs of the sublime.In order to extract Tibetan national character and cultural charm of the image.