Guilin Cultural City Woodcut Printmaking Research The War Of Resistance

China’s has a long tradition of woodblock prints, mostly early woodcut illustrations play a role in the chapter back to the novel. Mr. Lu Xun in the1930s initiated the emerging movement to make this traditional woodcut woodcut glow of new life, woodcut topics concerned about the social reality, the creation of user-friendly techniques and artistic appeal focused on the masses the obtained inherit and carry forward the fine tradition. Advocacy and encouraging Chinese Anti-Japanese War in woodcut is very significant, whether the liberated areas, the National Unification area or occupied areas, wood workers, the creation of Japanese woodblock prints in publicity and arouse the people played a very significant role.Under Mr. Lu Xun actively promote China’s rapid development and growth in emerging woodcut movement. At the time, Guilin, a cultural center of the National Unification areas to the southwest and cultural city renowned at home and abroad, as the cultural center of the region NUC area, its cultural context and historical background is very special. Woodcut war in the history of modern art in Guilin country is very important part, has an indelible historical achievements and extraordinary artistic research value. Woodcut Guilin, Guangxi war is not only an important part of the war of cultural studies, but also an important part of the war Guilin cultural studies, Guilin, Guangxi and even in advance of the war in the country plays an important role. Guilin war Woodcut study, not just stay in some of the specific problems of specific activities or trips, can not be limited to simply copy and restore historical phenomenon, but should be food for thought in that war-torn era inspired the nation unite to resist the Empire culture war doctrine aggression inherent in the great national spirit and the spirit of the times. It is for this motive, this article tries to war on the basis of Guilin woodcut panoramic study on the development of the war in Guilin wood characteristics as the starting point for the spiritual war woodcut contains in-depth mining and refining.The paper insisted materialistic ideas and practical attitude, on the basis of previous studies, the main use of literature research and survey and study law through two methods of mining-related historical materials, Literary History of the research study and the relevant culture of celebrity interviews, a large collection of intricate and cultural city of Guilin woodcut relevant historical data and some rare written information. Careful collation, analysis and summary, the historical background of the era by combing the cultural city of Guilin woodcut produced and overview of development, characterized by the induction of art and cultural city of Guilin, and it Woodcut Woodcut Yan’an and Chongqing ties and differences on the basis of further analysis Guilin woodcut at the time of impact and its historical significance.The thesis is divided into four parts:The first part introduces the cultural city of Guilin woodcut prosperous conditions and development situation. From the beginning of the article describes the development context woodcut, excellent location to Guilin during the war, the KMT was the basic cultural policy in Guilin, Guilin, political environment during the war and then the war woodcut development situation of Guilin during the war, was analyzed Woodcut in the situation of the background and development of Guilin rise.The second part focuses on the arts and cultural characteristics of the city of Guilin, woodcut prints. Was in Guilin, a famous woodcut home there are many, such as Li Hua, Huang Xinbo, Lai Shaoqi, frontin dam, Chen updated, easy to Joan, etc., through the analysis and interpretation of Guilin was in woodcut family who works to illustrate Guilin woodcut art characteristics and cultural city, and dig deep meaning of these works.The third part introduces the contact with cultural differences between Guilin and Yan’an City, woodcut, woodblock prints of Chongqing war. Through the woodcut was in Guilin, Yan’an, Chongqing rise three places in the background, several aspects of the performance of the theme, artistic and other comprehensive exposition of their contact with distinction.The fourth part describes the woodcut at the time of impact and historical significance. The full text summary, highlighting the subject.