Font Size: a A A

The Research&Comparison Of Villains’ Creation In Animation Of American&Japanese Cinema

Posted on:2015-09-20Degree:MasterType:Thesis
Country:ChinaCandidate:T GaoFull Text:PDF
GTID:2285330431970492Subject:Animation
Abstract/Summary:PDF Full Text Request
Animation, is to the cinema for the media an animation category, in its essence, and thefilm has have all kinds of connections with contact, also are distinguished from other types ofanimation. Today, animation with its high quality production requirements, become animportant test evaluation of national animation quality basis. The role of shape animation isan important link in a cinema in animation. Review the history of animation film development,numerous vivid animation image left a deep impression on us. In these distinctive characteranimation image, the villain is also with its unique charm, active in the animated film of thestage, has an important role can not be ignored.The villain is contradictory in the film, they mostly behavior perverse, dare to challenge,is the carrier of contradiction in the film, is a tension film rhythm, and beyond the sense offreedom, the important role that the plot achieve dynamic balance in the contradiction, thisrole can reveal the nature of society, so that the mood of the audience can get catharsis in theplot; the film creators can use contradiction villain manifestation of human thought, spiritual,disclose the nature of real life, guide is non value. In recent years, with the constant change ofpeople’s life, the creation idea and the state of psychology and aesthetic orientation, the villaingradually to diversify its appearance attracted the audience’s eyes.This paper compares the United States, Japan’s social culture, national character, folkculture, popular aesthetic demand and other factors, and on the basis of this theory, further tothe United States, Japan animation in shaping the success of the villains in the shape, color,action, character set differences were compared, analysis, optimization the similarities anddifferences of the law. Finally, on the basis of research and analysis, the villain shaping andreflect the problems China animation, and puts forward the feasible proposal to mold thevillain Chinese theater in animation.
Keywords/Search Tags:The villain, animation, America, Japan, comparison
PDF Full Text Request
Related items