| Shamanism is a spontaneous primitive natural religion, it represents a kind of ancient way to perceive the world, and it has been worshiped and believed by many peoples in the world. As the worldly shamanistic culture, it was looked as the northeast China native folk beliefs at the same time, it has been a profound influence to the enrichment and development of the northeast literature.When the author of the article exlpores the impact to northeast China literature in the new period of the shamanism. Firstly, the author define the northeast literature and the cognizance of the northeast writer defining the concept. And then abandoned the shamanism in rich, extensive and profound cultural style and analysis of the functions, put the focus on looking to marriage and literature. Secondly, to the shamanism and Buddhism as a starting point of modern Chinese writing, teasing out the shaman religion by groups and it was originally the northeast writers deny, reject to be root-searching literature in the new period, explain the rheological process of pioneer novel, shamanism in different periods, different literary schools to focus on different emphasis, finally presents the cultural connotation is bound to be different. Lastly, just because of the shamanism in the literary creation of this complexity, the author in the representative of northeast China literature in the new period literature works on the basis of comparison and induction, found the shamanism and spiritual ties within the northeast China in the new period literature and its uniqueness. shamanism play a role in the process and thus create the development of northeast China in the new period literature. The concrete is divided into three aspects: the shamanism and writing of diverse interpretation, the s shamanism and the diversity of the shaping of image, the shamanism and multi-dimensional exploration of narrative perspective. The author from the original wild life consciousness, strange and mysterious shamanism customs landscape and spiritual hometown three aspects uses Zheng Wanlong, Wureertu and Chi Zijian ‘s tnovel texts, mining the shamanism of the northeast China literature in the new period, the influence of the subject and the shamanism and motif writing various interpretation. Then through to the shamanistic, the hunter and the new generation of youth image interpretation, discusses the shamanistic religion portrayal of the characters in the northeast China literature in the new period diversity, and dug up the typical figures because of the spiritual power. The author also from the perspectives of the culture of ethnic minorities and han nationality, male perspective of female subject and northeast native writer, non-native writers of lyrical perspective expounds three aspects, emphasize different narrativeaspects view of different writing style. Discuss the shamanism and multi-dimensional exploration of narrative perspective.According to this, the author considers that the shamanism is as the northeast of the oldest folk beliefs, it is the most basic cultural factor that influencing the literature. shamanism in northeast China in the new period literature’s unique writing and explain again, make its reborn in the literature and shine. To explore more of the northeast literature, we cannot ignore the shamanism which runs through the important clues. Shamanism has tenacious vitality, determines its gene is from generation to generation, and as a kind of eternally theme of writing and interpretation in the literature. |