Grasslang Culture, Visual Images And Ethos

Inner Mongolia grassland culture is concentrated, prairie culture as one of the birthplaces of human culture, unique natural environment and the nomadic way of creating a unique national character, culture and folk customs of the type. Grassland culture is an important part of Inner Mongolia culture. In the long history of development, grassland culture has a variety of cultural identity, not just the Mongolian culture, early in the Xian Bei, Qi dan, Nv Zhen culture has been integrated in the northern region, after the Yuan, Ming and Qing dynasties several more with Han cultural integration, so prairie culture is diverse cultural system. The study for the prairie grassland culture theme oil paintings are important:First, major themes Inner painting; the second is that people rely mainly on spiritual support. Its core idea is respect for nature, practice open abide faith. Inner Mongolia grassland area that is the subject of oil paintings based on-this core idea formed. To collect information on the prairie theme oil paintings related information, I am to the school library, teachers and students to borrow, bookstores and other ways to accomplish summarized information content, extract, sort. From grassland culture, visual image, the face of the national spirit in Inner Mongolia grassland tripartite theme oil paintings in different periods of development in the aesthetic orientation changes and customs affect national analysis. By re grassland culture awareness and research, identify their paintings on the theme of Inner Mongolia has a revelation and aesthetic, as well as what kind of visual images to represent the national spirit. This paper is divided into five chapters:Chapter one explains what is grassland culture and its relationship to the theme of Inner Mongolia grassland oil paintings; the second chapter of the Inner Mongolia grassland in-depth review themes oil paintings, carding and research to visual images forms embody grassland culture, the expression of the national spirit; the third chapter outlines the Inner Mongolia grassland theme oil paintings in the performance of nationality; The fourth chapter is thinking grassland culture and expectations in Inner Mongolia grassland theme oil paintings in the Context of Globalization and finally the conclusion. After the grasslands of Inner Mongolia combing theme oil paintings, analysis, not only help to deepen the awareness of the rich connotation grassland culture and national spirit embodied in the oil painting, but also in terms of our prairie heritage and promoting traditional national culture are important; while the future creation and development of Inner Mongolia grassland themes painting embodies the national spirit has certain reference value.