The Theory Of Pen And Ink Origin For Zhang Daqian And Shi Tao

Shanshui painting is one of the most important painting disciplines in Chinese paintings,it is the most fundamental of Chinese thoughts precipitations. The ancient Shanshui painting respected and learned from the masters and inheritance and innovation their skill. The painting meaning has been always concerned in academic. An excellent Shanshui painting picture relays on an excellent painting, even since Tang Dynasty the painting paid more attention in the painting color. After the Song dynasty the Chinese painting ink color(deep or light) became the soul of Chinese painting. The skill of brush and ink color can be regarded to the core issue of literati painting art language. So "brush skill and ink color" is the life for the evaluation to Shanshui painting. One of four monks in the beginning of Qing dynasty Mr.Shi Tao, became one of the great painters in Qing dynasty. He inherited the skill of brush and ink color from predecessors, and meanwhile he innovated the them bravely. His artistic achievements concentrated reflection on the comments to the painting and Shanshui painting. His Painting Language was the best comment based on Chinese traditional philosophy to Chinese brush skill and ink color. So the brush skill and ink color are the basis art language of literati. And the brush skill and ink color are best fundamental judgment for the view of painting. Over the arbitrary vertical and horizontal Shanshui painting ink color,tension, swept away old don’t change the ink color, with fresh vitality, for later generations to innovative artists produced huge influence. Zhang Daqian, the giants of the 20 th century Chinese art history, it is under the influence of his guider Li Ruiqing intensively over the painting, drawing, and became a famous expert in studying Shi Tao. Zhang through Shanshui painting made multiple inheritance and innovation, so that he embodied the color ink spilt the creation of an over the painting idea, at the top of the artistic creation. So the study in comparing Zhang Daqian and Shi Tao over the origin for the inheritance and development of Chinese painting, and the creation of Chinese paintings, tasting still has a certain practical significanceIt’s for many times in the art exhibitions, author admired that in Zhang’s painting, he pursued Shi Tao’s trail, and of course to copy many times over with Zhang. I get the chanceto study both Zhang Daqian and Shi Tao. Although there are more people to study Zhang Daqian and Shi Tao, but it is rare to research they two independently, especially in origin the relationship of painting brush skill and ink color, in terms of both ink origin, a rare all-round,multi-angle. In this article, to reference the research results now, and through visiting Huang Mountain, comprehension from the aspects of philosophy, aesthetics, analyze Zhang Daqian and Shi Tao painting idea, inside and outside, through thought, the general to the individual,to explore their kernel and origin of life. This article firstly through the introduction of the"painting" the Painting Language to read through the brush skill and ink color, and then extend to both under the influence of Taoism and Zen, and the actual situation of artistic conception of Zhang Daqian and Shi Tao. Then from the aesthetic realm of artistically,Zhang Daqian painted through the ink color, developed to the concept of himself. Under the influence of the ink color, and then interpretation by the theory of "To be a life through the concept of painting with Zhang Daqian, he painted the beauty of the intersection of the ink color. Finally through brush skill and ink color discuss from the artistic soul of the Huang Mountain, which carried the artistic soul, to search the links between the two giants Zhang Daqian and Shi Tao.