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Study On Chen Jiru’s Calligraphy

Posted on:2016-09-18Degree:MasterType:Thesis
Country:ChinaCandidate:R R XieFull Text:PDF
GTID:2285330467981420Subject:Historical philology
Abstract/Summary:PDF Full Text Request
Ming Dynasty commodity economy run amok in the south, among the clouds toland, Jianghai communication, fishing silkworm rich cultural atmosphere, beingmultiplied by its wind, Chen Jiru that was born here and now. Although there is nofame, plus its body, but enough to be public as their idols; although not an officialpost, but it angered when the Sheriff’s expensive and its competing exchanges, its titleis saying in its life when it is a close friend Chen Jiru, calligraphy style is unique.Letters of traveling and Chen Jun, the album and the Diocese vertical inscriptions, orjoy natural to look dignified flowing east slope of the items back, or a clearunderstanding of the secretary of the Mystics between certain anecdotes andenthusiasts, or ink pens song dance sway front tip of the Mind on mulberry paper who,as today, almost no one is interested, there really is a great pity. Today’s academicresearch focused on Chen Jiru in literature and culture of the late Ming and thementality of people, very few of Chen Jiru calligraphy ink. Compared to today’s trendof other books home study, the researchers can rarely mentioned Chen Jiru, wheneverbeen involved, are also to be a subsidiary of Dong Qichang only as a briefintroduction to the characters. This article seeks foothold before Chen Jiru research inall aspects of human and handed down works, sought through in-depth study of ChenJiru calligraphy, calligraphy Chen Jiru fully restore appearance.Full text main body is divided into four parts, the first part for Chen Jiru’s life, thesecond part as friends, and emphatically with dong qichang’s friends as the researchobject, explore the relationship between the two are inseparable; dong Chen The thirdpart will revolve around Chen Jiru carved the late hong tong su1, review the meritsand significance: the fourth part discusses Chen Jiru calligraphy thought, and itscomprehensive advocation of su dongpo; Finally to the Chen Jiru books as a researchobject, discusses its calligraphy in installment, the classification of books and writingcharacteristics. Compiled in detail in appendix Chen Jiru calligraphy table, Chen Jirucalligraphy and painting objects existing inscription recorded stories and other relatedmaterials, in order to continue to study in the future.
Keywords/Search Tags:Chen Jiru, calligraphy style, Dong Qichang, Su Dongpo
PDF Full Text Request
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