The Research Of Xu Muyun’s Drama Theory

This paper is the Republic of China drama critic Xu Muyun’s drama theory are studied,selection of Xu Muyun drama comment, dramatic history and aesthetic view on drama,opera theory three aspects as research direction,Newspaper articles mainly rely on Xu Muyun published,Chinese drama history,Beijing Opera word rhyme,Liyuan camera(and other tow)and other materials,the research focus on Xu Muyun’s main works,from the start of "complete" and "small" two,On his theory viewpoint of integration, comment and analysis system.Xu Muyun to the "people-oriented" as the theoretical and practical basis on the actual situation in the drama,"image" and "like" put forward the concept of "sublimation",attention to the line between "principal" and "matching" problem,the drama doubt nominal analyzes,he is extremely focused on the actor’s value and with attention to each local opera and the actor,The combination of drama,the drama, the court drama into the drama history,he has formed his unique historical perspective.His drama ontology perspective shifts to the stage,Put forward "on the essence of aesthetics left looks God" and "the equal importance of singing and dancing, freehand brushwork in painting" aesthetic form view, and in Chinese and Western drama based on the evaluation and comparison, the focus on development toChina drama in the world, puts forward the drama reform "weapon" and the specificimprovement, educational methods. Xu Muyun Peking opera singing study phonology andcavity introduction of linguistics, and come to the conclusion that "to ’word’ to ’cavity’, forobject","heavy sound, rhyme","word rhyme by the sound, the sound from the view onlove". The paper focuses on the child is father of the man, tried to use Xu Muyun’s opera theory, find the unique value of the theory in the academic circles and positioning.