Study On The Aesthetic Construction Of The Party History Drama In The New Era

After hundreds of years of experience,the CPC is still full of vitality and youthful characteristics.The TV dramas about the history of the CPC,which mainly aims to praise the CPC,are deeply rooted in the fertile soil of China and actively seek ways to "talk" with the audience.Since the new era,the dense arrival of important nodes of the Party and the state has promoted the prosperity and development of Party history-themed TV dramas.Compared with previous years,this breakthrough is not only the increase of the number of creation,but also the renewal and iteration of the creation mode and characteristics.From the perspective of the centenary of the founding of the Party,Party history dramas adhere to the people’s aesthetic thought in the new era,actively practice the "people-centered" literary and artistic creation orientation,and create excellent Party history dramas represented by the Age of Awakening,Glory and Dream,Crossing the Yalu River,etc.,which attract the public,especially the youth,to watch frequently.Following the film to learn the century-old Party history,feel the century-old journey and inherit the red spirit have become the important motivation for the current youth group to watch,reshaping the stereotype of the Party history-themed TV series in the eyes of the public.Party history-themed TV plays in the new era not only respect the experience and laws of historical creation,but also dare to break through the shackles and continue the "red gene" with higher artistic consciousness.On the one hand,it takes the initiative to use the aesthetic style of the new era to write the century-old Party history,reproduces the history of the founding of the Party from the perspectives of civilian,national and contemporary narration,and highlights the epic style by combining the narrative structure of unit fragmentation,chronicle style and multi-line style.At the same time,it shapes the "national backbone" such as revolutionary heroes,era heroes and heroines.Let the audience "familiar" with the century-old Party history full of "unfamiliar" artistic light;On the other hand,he is good at aesthetic expression through the discourse practice that contemporary audiences are willing to accept,pays attention to the establishment of audio-visual language system and the internal connection between aesthetics and ideography,pays attention to the creation of aesthetic images,demonstrates the vivid poetic aesthetics of the spirit,successfully "breaks the circle" and arouses the emotional resonance of the youth group.While showing the Party’s century-long struggle and quest and carrying forward the great spirit of founding the Party,the historical drama of the Party in the new era not only highlights the noble beauty in the process of building and defending the country,including both "mathematical nobility" and "mechanical nobility".Moreover,it attaches great importance to the connection with the young audience,so that they can be placed in the real and credible historical community and get the emotional recognition,and realize the successful interpretation of the community aesthetics.Of course,while analyzing the aesthetic construction of the Party history drama in the new era,we should also examine the shortcomings of our own creation,correctly grasp the relationship between originality and limitation,drama and authenticity,youth and heavy sense,and create artistic masterpieces beyond all circles under the guidance of the people’s aesthetic thoughts in the new era.Only in this way can we be worthy of The Times,history and the people.