| This thesis mainly discusses \"direct painting\" in the portrait painting. I call the \"direct painting\" refers to the drawing object in front of, through the hands of the author’s subjective nature, with understanding, using subjective brushwork and color stitching, the object of the artistic expression in painting creation. In the portrait painting, painting directly for painting objects, with documentary, directness and expressive.\"Directly through three chapters to discuss portrait painting brushwork\" features and expression.Illustration, directly for the first chapter is the pen with thick paint, bright colors, brush strokes to clearly express the author feelings, feeling of objects at the same time, with the intuitive technique to express the object, the characteristics of the status. Compared with the classical painting, painting directly more passion and more emotional expression directly. Than the abstract, direct painting documentary performance make more external viewer relly feel to want to deliver the content creation itselfChapter ⅱ western painter using the technique of expression in portrait painting, Freud to go beyond the simple pursuit of specific object like, from the shape to the spirit likeness. Give a person a kind of depression, forced feeling, directly in the psychological subconscious let the viewer into the magnet, directly face the most real side of human nature. While under the influence of he, Mr. Liu in the process of learning shift by great attention and praise highly. He had a sensitive spot for the changes of The Times, and can forget the glitz of the form and the grand narrative, the individual’s real absurd to connect with the time, not personal emotional intuitive, let viewers to ponder. In the portrait painting, color and pictures depict is extremely important part of the background. Van gogh in subjective arrangement of color collision with strokes, given the strong vitality of creation object, and appeal. While freda for the processing of image background, based on some symbolic objects as metaphor. In the calm narration, the hidden meaning.In the third chapter discusses in the process of painting creation, \"my friend\" the creation subject, studying Chinese and foreign painter of portrait painting performance technique, combined with characteristics of Chinese and western painting, the art of self understanding, a kind of self understanding of the object, to exaggerate the direct expression of its characteristics, make people identity object of fear, anxiety, depression, and repression. Creation itself is a bundle of contradictions, but also because of the conflict between the collision, formed the power of artistic creation. |