Nature Shape And Landscape Texturing Method

Fu Baoshi as one of the most influential painter of China in the 20 th century, his unique texturing method—“ Baoshi Texturing” that combined all kinds of texturing methods, and generated significant breakthrough. Fu Baoshi is unwilling to accept to situation of model or pattern after ancient style, he dares to conduct reformation in the realm of art, emphasize that paintings should infused with the individual thoughts and feelings of the artist, need to reveal the core of work-----soul; his “Baoshi Texturing”has important role in the landscape paintings of China, the formation of the drawing features of his texturing was formed in Jingangpo when he paint from life. In 1940 s,Jingangpo era in Chongqing, has lay a foundation for Fu Baoshi’s landscape drawing characteristics, the distinct scenery of Jingangpo attracted him to sink in painting, since then hi creation of painting is becoming more and more mature. In the aspect of technique of expression, he utilize the unique scattered stroke drawing technique, sprinkle the inks over the drawing paper with his huge writing brush, the brushwork is flexible, natural and unrestrained, and blend his personal emotions into the drawings, allows the paintings to have a strong sense of visual impact.This paper conducted analysis over the personalized paintings of Fu Baoshi’s landscape paintings, for the purpose of further analysis for the reasons of the emergence of Baoshi Texturing and the enlightenments to the landscape painting of China at that time by the deep research of Baoshi Texturing. This paper mainly center on the reappearance of the nature features of Fu Baoshi’s landscape works, the landscape texturing research of Fu Baoshi, the objective expression of Baoshi texturing in the shapes of artistic creation, and the influences and meanings of Baoshi Textruing. Firstly,is research the reappearance of the nature features of Fu Baoshi’s landscape work, includethe lifetime of Fu Baoshi and detailed nature features analysis of Fu Baoshi’s landscape paintings, and in accordance with his works to prove and analyze Fu Baoshi’s subjective choice over the objective world. Secondly, is the landscape texturing research of Fu Baoshi, mainly from the summarization of texturing, the emergence reasons of Baoshi Texturing and its gradual progress in shapes, the formation of Baoshi texturing is because of the supporting of theories, spirits and others special intermediary materials and others factors. And then, is the objective expression of Baoshi texturing in the shapes of artistic creation, Baoshi texturing is different from the traditional texturing, has its special artistic effects, by list the works of Fu Baoshi to conduct research, to analyze the detailed expression of Baoshi texturing in different eras. Finally, is the influences and meanings of Baoshi Texturing, he not only produced profound influences to the traditional Chinese landscape paintings and also to the contemporary Chinese landscape paintings, which shows that Fu Baoshi is artist dare to make bold changes and innovations, has play the promotion role for the Chinese landscape paintings at that time. Here above are the major contents of the researches of this paper.