Research On The Relationship Between Regional Style And Landscape Painting And Exploration Of Creative Practice

Chinese landscape painting takes natural mountains and rivers as the object of painting.Different regional environments and cultural landscapes provide landscape painters with new art language styles.On the basis of feeling natural regional characteristics and experiencing regional culture,various kinds of landscape texturing methods and creative dimensions form through internal refining.This article focuses on the relationship between regional landscape style and landscape texturing method.After the author comes to the foot of the Taihang mountains to feel it closely and makes summarization,it demonstrates that regional landscape style is one of the essential factors for the reform of landscape texturing method.In the process of repeated painting from nature,the relationship between regional features and landscape texturing method is thoroughly analyzed and applied to actual creation so as to present inner artistic inspiration.Consequently,the research of regionalism is of great significance to the reform of landscape painting’s texturing method language and the creation of landscape painting.This article is divided into five parts:The first chapter mainly outlines the relationship between regional landscape style and landscape painting and briefly introduces that the unique regional nature and regional culture combine and interact with landscape painting,and it is also the refining and transformation between objects and images made by art practitioners.Meanwhile,the creation of landscape painting cannot be separated from the magical nature and culture.The second chapter is the origin,development and evolution of landscape texturing method.Through the differences between the south and the north,it analyzes the reform of two main texturing methods of the north and south landscape painting school,which highlights the impact of geomorphic features on the category of texturing method and coincides with the article’s key point.The third chapter explores the region and makes a field visit to Taihang mountains,traces the origin of between Taihang region and traditional northern landscape texturing method and summarizes the influence of the nature and culture of Taihang region on the traditional landscape texturing method,which is of important significance to the development of contemporary landscape painting.In the fourth chapter,the author accumulates rich creation feelings and experience through repeated landscape painting and masters some skills,inspiration and insight in the practice of landscape painting creation,which makes the theoretical system more perfect and enables the author to calmly complete the creation of landscape painting.The conclusion part summarizes thesis.