Aesthetic Research Of Wang Lisan’s Piano Music “Tashan Ji”

The piano Overture and Fugue divertimento “Tashan Ji” is one of the Mr. Wang Lisan’s most representative piano works. It was also the only prelude and fugue divertimento with titles in China’s piano music history. Regardless music morphological and aesthetics characteristics, "Tashan Ji" has both high value of analysis and practice guide.The paper conducts an academic and realistic summary and analysis on Mr. Wang Lisan’s piano prelude and fugue divertimento "Tashan Ji" from three perspectives, namely, music history, music morphology, and music aesthetics. The paper summarizes Mr. Wang’s own creation experience, major works, music features, aesthetic features and presents innovative theoretical perspectives, outlining Mr. Wang’s aesthetic rules of creating piano music works.The theoretical results are as follows,Firstly, to make reasonable segments on Mr. Wang’s creation piano works in accordance with the characteristics of his works and was differentiate from other general music history. According to Mr. Wang’s experience, it is mainly divided into three periods, including the first creation period(1950-1977), the second creation period(1977-1999) and the third creation period(1999-2013).Secondly, to introduce the creation background of “Tashan Ji” and detailed analyze Mr. Wang’s Piano Overture and Fugue divertimento “Tashan Ji” in terms of musical structure and features.Last but not least, to summarize Mr. Wang’s Piano Overture and Fugue divertimento <Tashan Ji>’s aesthetic features into two levels, natural simple gladness beauty and inspirational enlightenment sublime beauty.