The Manifestation Of Freehand Brushwork Quality Of Inner Mongolian Oil Paintings

Since the founding of Inner Mongolia oil painting although only 60 years, but in Inner Mongolia the majority of the painter’s efforts have made gratifying achievements, but also with other provinces and cities in the painting Chinese painter together on the road to continue to explore. Inner Mongolia with the special regional and national traditional customs in landscape painting shows different kind of natural beauty, this also is in line with the pursuit of China painting oil painting China trend and development. Mr Zhu Guangqian argues that "the art of beauty" is "the world is purely aesthetic imagery world". Chinese painting freehand brushwork create a bleak, beautiful beautiful, this article object of study-"enjoyable performance" Inner Mongolia landscape painting in the first review, summed up the Inner Mongolia Inner Mongolia oil painting and landscape painting development history; second is from the scenery oil painting freehand brushwork China characteristic is the oil painting "the localization" the inevitable this proceeding, the analysis of Inner Mongolia landscape painting freehand brushwork form background; and the impact of the characteristics of Inner Mongolia landform and the old traditional culture on it and analyzes the. Summarized from the Inner Mongolia landscape painting freehand brushwork with content diversity, in the East, West, regional differences and different periods of freehand brushwork in traditional Chinese painting show different characteristics. Inner Mongolia landscape painting freehand brushwork is to rely on the different artists to behave in different forms of artistic expression, the article from the outstanding painter many selected Mr. tomos, Chao Ge, Zhang Liping, Miao Jingchang and so on several styles of painters, through the analysis and research of several of their work in different landscape painting freehand brushwork performance.