On The Romantic Elements In Beethoven’s <Fifth Piano Concerto>

In the classical period, in the form of beauty, the pursuit of a rational, structured music works, the composer in strict accordance with the provisions of the form to create. Beethoven(1770-1827), a great player and composer, created a lot of excellent works of art, and created a total of 5 Piano Concerto in his life. Started the first two strict inheritance model of Classical Concerto- Mozart’s Piano Concerto model creation, in constant learning creation and the surrounding cultural atmosphere and other factors influence, Beethoven began to expect to have in the new works to reveal their own characteristics, from the first three Concerto began to gradually mature, the creation technique has changed. "Fifth piano concerto" is Beethoven’s largest and most magnificent Piano Concerto, because the works of its own brilliant momentum and great sound effect is the title of the "emperor". In the succession of classical form at the same time in Beethoven’s works into their new elements. Beethoven is zoned era music master, the fifth piano concerto "to show the new element quite romantic characteristics.First of all, from the life of Beethoven, the creation of the work, the creation background of "fifth piano concerto" and the main body of the work. The romanticism of music background, the development of music and music characteristics of the three level from an initiator were analyzed, the musician in the romantic period, by the romantic philosophy of that time, creation idea occurred fundamental changes, tend to personal feelings to express, and the "self" of the music creation in the fifth piano Concerto "has surfaced. The author from the music analysis point of view, respectively form, ornamentation, intensity, rhythm, speed and playing the main instruments and orchestra with the six aspects and combined with the characteristics of romantic music has launched a more in-depth study. As the material of the romantic elements in the creation of the music ontology, the performance of the method has been changed. The author makes a detailed elaboration on the application of the rhythm, the touch and the pedal.