Study On The Language Of Painting In The Contemporary Oil Painting Landscape Painting

In this paper, "contemporary landscape painting freehand language research" source of interest in my art creation, looking back on the growth of their own experience, painting, from the initial contact during the University participated in the study, to participate in the work of painting sketch, led during graduate study in practice, every step along with the landscape painting, painting box Ⅰ traveled with a picture in the works on both sides of the Changjiang River, carrying my pursuit of the art of painting, years of practice Ⅰ created the concept of artistic creation, but also put forward a new topic:how to find a new way of expression in painting creation, in the view of how to more accurately describes the creators of the understanding of painting, how to the use of traditional aesthetic concept China enhance painting expressive force in the process of studying the western painting theory, deeply rooted in our heart so as to get back the original context. These problems make the research direction of this thesis Ⅰ will focus on the contemporary landscape painting in the style of language, we hope that this research paper finishing about art language problems in contemporary landscape painting practice, and discuss how to absorb the China traditional painting "freehand" concept, application and practice.