The Formation Of Chinese Modern Art Concept Relations With Japan

In this paper, in the context of cultural exchange between China and Japan since modern times, through the historical investigation and comparative study of the concept of "art", the system elaborated the modern Chinese "art" concept and the origin of Japan.The overall is divided into three parts:The first part is the introduction, this part briefly introduced the thesis research object, research scope and research ideas.The second part is the main part of the paper. By the following four chapters:The first chapter from the perspective of etymology expounded with modern concept of "art" of the word "art" and "art" the word "art" in back together after a challenge to traditional art definition. Art form of Chinese characters in terms of the information in the textual research, has the Chinese characters and Chinese characters in Japanese, this article through to the Chinese, Japanese art history, art history of art(fine arts) cultural exchanges between China and Japan, basic identified the "art" the modern significance of word occurrence time probably at around 1902, the translator translated by wang guowei, but after the introduction of "art", the word "art" has also conducted its own localization process. The author believes that both the art, arts, fine art, etc in the English vocabulary, or similar with the concept of "art" of "art" "literature and art", "fiction" and other words, all have the shadow of art. Both as a traditional Chinese "art" and "fine arts", or the modern we use simplified Chinese characters "art" "fine arts", etc., have artistic concept of intrinsic unity, this also for the existence of the concept of "art" provides a reasonable basis. However, in the modern sense of the word "art" appearance and finalized and concept art, have experienced a long-term process, need a lot of data of philosophy, which requires modern art concepts on macro development as a systematic and comprehensive.The second chapter is mainly to the modern literature and art exchange activities between China and Japan, schools, and art forms- exhibition translation theory books, etc. In Meiji period of Japan’s modernization process begins with the Meiji restoration, Japan began to contact with the west, and other forms of art exhibition of the world’s fair, and gradually introduce local, spread from Japan to China after the show. Close neighbors separated only by a strip of water relations and the existence of the Chinese culture, art exhibitions and art exchange between China and Japan is significantly higher than that of other countries, China’s literary and arts opened from Japan to study western modernization process. In the introduction of western aesthetics and art theory, this chapter mainly through between the two countries the establishment of modern school of art and art education system to clarify the word "art" of cultural context and the modern significance of "art".The third chapter through to the close to the modern concept of "art" analyzes the concept of lexical analysis of formation of the modern concept of "art" in a series of factors, "art" and other similar concepts of language is how to separate? In the development of modern sino-japanese literary thinking, "art" and "fine arts" confused the two words are often used, early in the process of the introduction of western aesthetics, Japan early art in art the translation of the word is "fine arts", then use the word "art". Fine art and the art as the corresponding to the "art" and "art" of the word was spread to China, in the same confusion after use, it gradually formed the now we use the "art". How the concept of "art" is purified from the concept of "art" ? How the word "art" and "literature", "fiction" concept to distinguish? In fact, every word of the concept of final have to undergo a process, concept of "art". This chapter is mainly to explore the concept of "art" stand out from other approximate concept of process.The fourth chapter mainly discusses "Japanese bridge" the intermediary factors in the formation of modern Chinese concept of "art". Modern literary exchange between China and Japan is the official communication and civil communication two ways, China’s introduction of modern western aesthetics writings, sending the modern student talent, art exhibitions, and set up a school of art, mostly through this intermediary bridge in Japan. That is to say, in Japan, under the influence of western aesthetics and art thought is more quick and more convenient to travel to China. This is also the modern literary exchange between China and Japan on a tacit fact exist. "Western- Japan-China" a process model is "Japanese bridge" mode of operation. This model is summarized in image in modern literature and art exchange activities between China and Japan Japan intermediary role. It is worth mentioning that "western- Japan- China" model is not a single person yes or no, but stand in the height of the history, dialectically to trace back the word "art", as the study of modern art concept provides a highly instructive reference frame.The third part is conclusion, through to the modern Chinese "art" the formation of the concept of carding and objectively evaluate the role of Japanese bridge. The formation of modern Chinese concept of "art" and Japan’s origin, is the purpose of this article. Through the exploration of the concept of modern art form, not only helps to understand the art of Chinese contemporary ecological environment, but also for the transformation of the literary theory of China’s contribution to render a bit.