A Comparative Study Of Yang Shen’s Literary Theory And Calligraphy Theory

Yang Shen as the first three emperors of the Ming Dynasty.Not only is the middle of the Ming Dynasty,a shining star of the literary world,was also a person quite accomplished in calligraphy.The research of Yang Shen ’s literary works in today’ s academic circles can be described as far-reaching,but few researchers have carried on systematic and comprehensive comparative study of Yang Shen ’s literary theory and Calligraphy theory.After mastering the background of Yang Shen ’s literary theory and Calligraphy theory,the author will analyze the connection and difference between Yang Shen ’s literary theory and Calligraphy theory from the perspective of subject theory,development theory and style theory.The first part summarizes the overall characteristics of Yang Shen ’s literary theory and Calligraphy theory,and summarizes the reasons for the formation and change of Yang Shen ’s literary theory and Calligraphy theory from the perspective of philosophical thought,literary thought and Yang Shen’s personal experience and family background,Aimed at Yang Shen’s literary theory and Calligraphy theory to grasp the overall.The second part discusses the similarities and differences between Yang Shen ’s literary theory and Calligraphy theoryfrom the perspective of subject theory,and compares the two aspects of "love" and "learning" in the process of subject creation.Yang Shen ’s literary theory and Calligraphy theory are centered on Emotion-based theory,but the definition and expression of the two are different: The "love" of the literary theory is "situation,emotion",for the impromptu feelings,the book "love" is "temperament" for the intrinsic cultivation;In literature,he emphasizes the beauty of subtle,and calligraphy emphasis on intuitive beauty.In the literary theory,he advocated erudite,the specific performance is to have the source of the text;in the Calligraphy theory,Yang Shen stressed the " Write method " as the core of hard work.The third part discusses the similarities and differences between Yang Shen ’s literary theory and Calligraphy theory in the field of development theory,including the similarities and differences between the imitation of celebrity and the attitude of "Wei Jin charm" in literary theory and Calligraphy theory.Yang Shen in the literary theory and Calligraphy theory are the main division of ancient,emphasizing the specification.The biggest difference between the two is the question of innovation.In the literary theory,Yang Shen adhere to the "reborn".Different from the innovation in literary theory,inthe Calligraphy theory,Yang Shen showed obvious conservative tendencies.Correspondingly,in the attitude of the "Wei Jin charm",Yang Shen pointed out that the literary theory stresses the change of reason,learn the style of the Wei and Jin Dynasties,should be bold and innovative,and in the Calligraphy theory,Yang Shen is strongly advocated the Wei and Jin style,Resist innovation,attitude tends to be conservative.The fourth part discusses the similarities and differences between Yang Shen ’s literary theory and Calligraphy theory from the perspective of style theory,including the similarities and differences between "style diversity" and "style tasting" in literary theory and book theory.Yang Shen in literary theory and Calligraphy theory are advocating "Yan" but the difference is obvious.Yang Shen advocated the style of literature should be brilliant,while he stressed that the language should be smooth and gorgeous and not turbid.In the calligraphy style,he advocated "Feng Yan" on the basis of the "charm and attitude."...