Studies On Dramatized Narration Of American Crime Documentary

The documentary lags behind the film in the course of film and television industrialization.Throughout the film and television industry,the box office e mbraces its flourish while the documentary market is going through its trying t ime.It shows a big difference in the communication effect in spite of the sam e image.The audience’s enthusiasm for the story runs amazingly high,so it is of significant importance to learn the narrative techniques from drama,movies,and TV dramas and so on to both enrich the narrative style of the document ary and popularize the documentary.The American crime documentary,represent ed by The Jinx: The Life and Deaths of Robert Durst,Making a Murderer,an d O.J.: Made in America,is characterized by dramatic and narrative techniques among many documentary images and thus attracts the audience of all ages.The crime documentary presents a certain kind of feature film with the applicat ion of new narrative techniques.The dramatized narration of crime-themed docume ntary raises upsurge in the audience,and it can also enrich the expressive forc e of the documentaries and promote the appreciation and aesthetic standard of the documentary at the same time.Narrative theory is applied to study the dramatized narration of crime docum entary.The study mainly consists of four parts: In chapter one,it makes a sys tematic arrangement to the originated context of American crime documentary.I t also explores the growth footprint and summarizes its background of crime d ocumentary form the origin of crime literature.In chapter two,it makes a sum mary of performance of dramatized narration of American crime documentary.An d it makes a comparison between the narrative features of crime documentary a nd those of traditional documentary as well as between the narrative features o f crime documentary and the TV series narration respectively to dig out the nar rative features of the dramatized narration on the basis of defining the connotat ion of dramatized narration.In chapter three,it also summarizes the narrative tec hniques of American crime documentary,which gives an elaborate explanation o f a large number of documentary images combined with narrative theory deeply,and narrative techniques of crime documentary are obtained in the narrative th eory categories.The last part mainly reflects on the American crime documenta ry from the perspective of dialectical thinking,which can be conductive to pro moting the rational development of documentary creation and also provide a ne w way for the sound development of documentary industry.