Inheritance And Innovation

At the end of nineteenth Century and the beginning of the twentieth Century,theprincipal characters of modern western paintingare taking the Visual form and thought expression as the core of artistic expression and exploringthe painting form concretization to representation and abstraction.As the representative figure of Nabis,the painting style of Vuillardsuccessively influenced by the ideological trend of symbolism and naturalism,establishing the rudiment of abstract art form.As aChinese contemporary female artist,the abstract representation of Yan Ping inmodern western painting has the historical characteristic of inheritance.Meanwhile,her paintings are also based on the relationship between age and nation,so the performance of her paintings always has Chinese characteristic.The two artists,who have different education in different eras,make the same choice of the home interior painting without previous arrangement.This paper takesVuillard,who is influenced by the Frenchideological trend of art in nineteenth century,and Yan Ping,who is the representative of Chinese contemporary female painter at the turn of the century,as the research objects.It aims to objectively understand the development track of the nationality and the introduction of Western painting thoughts of Chinese contemporary artists,like Yan Ping,under the language environment of globalization through the comparison of Chinese and Western home interiorpainting in the broad vision of world art.So it claims that the value of the integration and innovation of Chinese contemporary oil painting should be investigatedin the setup of World Art.Besides the introduction,the paper is divided into four parts.The introduction summarizes the significance of the topic,the research methods and the current researchstatus at home and abroad.The first chapter discusses the transmutation of the artistic conception of home interior painting of Vuillard under the influence of two ideological trends in France through translation medium method.The second chapter shows the characteristics of "time" and "nationality" of the home interior painting of Yan Ping at the performance level.The third chapter makescomparison of the paintings with the same theme of Vuillard and Yan Ping for broadening the research angle of Chinese contemporary oil paintingfrom the internal logic of the development of art.The fourth chapterexpounds the epoch significance of the artistic characteristics of Yan Ping’s oil painting,based on the conclusion of the empirical comparison.