Discussing The New Graph Of Ink Elements In Contemporary Freehand Flower And Bird Painting

In this article,the performance of ink elements in the freehand flower and bird painting was studied.Mainly through the inheritance and innovation of ink elements in traditional freehand flower and bird painting,the new graph in contemporary freehand flower and bird painting was interpreted.Through argumentation of the relevant theory and graph,the development trend of contemporary freehand painting and the diversification of ink elements were understood clearly.In the paper,from three parts,the new graph of ink elements in contemporary freehand flower and bird painting was explored and analyzed.In the first part,through a variety of works,the literature data,etc,on the basis of the technique of writing,ink and composition and other methods in the ink language of traditional freehand painting,with the form of artistic expression and aesthetic charm in traditional freehand painting,the usage of ink elements in traditional freehand flower and bird painting was further analyzed.In the second part,on the basis of ink language graph in the traditional freehand flower and bird painting,through two aspects of context construction and image modeling in contemporary freehand painting,combined with the works of contemporary freehand artists such as Zhou Jingxin,Li KuiZheng,Guo Yicong and other artists,from the new composition style,ink language construction,folk artistic expression in image modeling,artistic expression in decorative painting,etc,artistic height and aesthetic orientation of the ink language in contemporary freehand painting was understood.The inheritance and innovation of new graph of of the ink language in contemporary freehand painting were analyzed.In the last part,from the diversification of ink elements in contemporary freehand painting,the aesthetic cognition in the contemporary of flower and bird painting was introduced.