Discussion On The Recording Method Of National Orchestra In Mountain Vinevard Concert Hall

In the 1920s and 1930s,China and Kazakhstan,two ancient civilizations with thousands of years of splendid culture,almost at the same time,after less than a decade,experienced a collision and blending with western culture.Inheritance and fission of national culture.Thus,in the music was born to retain the national musical instruments,but also to meet the aesthetic standards of western orchestra and add compensation in the low part of the lack of western musical instruments,imitation of the western symphony orchestra to build the national orchestra.For several decades,in the countless composers,performers and musical instruments to build a constant experiment and exploration,the national orchestra system is becoming more perfect.With the rapid development of the world's urbanization process,the rapid development of the economy under the background of the construction of large-scale professional music venues,digital electro-acoustic technology has brought us a new thinking:how to record in a specific indoor sound field environment.Out of a complete preservation of its original national orchestral concert.This paper starts from the experience of two recordings,studies the influence of the acoustic characteristics of the sound field on the recordings of the mountain vineyard type concert hall,takes into account the unexpected situation of the temporary live recording,and studies the folk music recording method.And put forward the use of the main and auxiliary microphone to pick up the way to record,so as to achieve a sense of space,sense of position and clarity of the reference comments,given the microphone model selection ideas and layout experience,with a view to later researchers to provide a comprehensive thinking of the recording method.