On The Expression Of Media In Chinese Modern Painting

China ’s modern lacquer painting after half a century of development,has become an independent painting,and in the continuous break and perfect.Chinese modern lacquer painting is different from other forms of painting,with its unique attributes.Media has become a very important part of modern lacquer painting.Through the use of media,especially the use of new media,it can not only give the emotion more emotion,but also the important means of expressing the emotion.It can be said that this is the soul of lacquer painting.I believe that in the creation of modern lacquer painting,it is necessary to use conscious art language to grasp the unconscious media and craft language,give full play to the material and the process itself has the artistic expression of the role.Mr.Cheng Xiangjun’s painting art is a good illustration of this view.His works through the use of innovative media,given the lacquer painting and soul,not only to better stimulate and meet the appreciation of the aesthetic needs,and on this basis to achieve the creators and appreciation of the emotional and spiritual resonance,To promote the aesthetic subject to deepen the understanding of the painter’s creative mentality,more comprehensive and more thorough understanding of the work,from the artistic influence,so as to continuously enhance their artistic appreciation and level.In this paper,the following research methods are used in combination with specific research contents and research progress: literature research,case study method and theory combined with practical method.The first chapter of this paper is the introduction,the most basic research content.The second chapter is the development of Chinese lacquer painting.The third chapter is the characteristics of modern lacquer painting,and expounds the media,craft and artistic nature of modern lacquer painting.The fourth chapter is Cheng Xiangjun’s painting art,focusing on the analysis of Cheng Xiangjun personalized lacquer media performance language.The fifth chapter is the expression of the material and craftsmanship of Chinese modern lacquer painting,and expounds the author’s thoughts on the material and craftsmanship of Chinese modern lacquer painting.The fourth chapter and the fifth chapter are the focus of this thesis.Based on the research of Chinese modern lacquer painting in the media,taking Cheng Xiangjun’s lacquer painting as the research basis,through the interpretation of Cheng Xiangjun’s lacquer painting language art,the author has made a more profound development trend for China’s modern lacquer media Understanding,also put forward their own views and views,to achieve the desired research objectives.