The Distinction Of Liu Zhenyun’s Novels And Adapted Films,from Novel To Film

Since entering into the new century,with the development of science and technology,people’s traditional life style has changed continually and qualitatively.Under the impulsion o f movie and TV culture,people turn to choose the visual impact than read the literature,so as to gain the more visualized reading experience.Thus,movies and novels have been set up a new style of relationship which is excavated by the marketing.Movies and novels are getting to combine with each other.Due to this tendency,many writers develop a new form of creation intentionally or unintentionally----the novel for the movie.Liu Zhenyun is one of the most successful writers in this field.Based on this,this paper includes the relations of Liu Zhenyun’s novels and movie adaptation,the research approaches,advantages and disadvantages of novel adaptation.It aims at giving an enlightenment to the hard-hit literature and the writers.In this paper,it take the three adapted scripts of Liu Zhenyun which are “Back to1942” “Cell phone” “ I Am Not Madame Bovary” as the study paradigm.What is more,“I Am Not Madame Bovary” is the most important paradigm.The paper compares and analyzes the aspects of the three movies: character image,narrative angles,presentation formation,etc..The paper is divided into five parts.The first part is the introduction.It mainly states the study conditions which relate and analze the origin,status,approaches of the study.In the second part,it mainly studies the motivation of Liu’s novel movie adaptation.We also can learn about liu’s biography and contemporary writers’ attitude to the novel movie adaptation.Meanwhile,liu’s film base in his novels will be stated.In the third part,it analyzes the differences between novels and movies on subject,plot,figure,narrative strategies,which can gain the significance of movie adaptation.The fourth part mainly states the significance of movie adaptation from analyzing the advantages and disadvantages of adaptation.At the same time,it also considers the way out of literature which is in the impact of the visual culture shock,and give the correct creation directions to writers.The last part is the conclusion.