A Study On The "Yuan" Category Of Ancient Chinese Literary Theory

In the system of ancient Chinese literary theory, "yuan" is a category of literary criticism which is not very prominent but has unique value, which has played an important role in the creation and criticism of ancient Chinese literature. "yuan" as a way of Chinese ancient literati to grasp the world, at first performance is a sense of transcendence, emphasizing beyond the specific distance to infinity, and later into the field of literature and art to characterize the profound and far-reaching ideas and the implicit implication Or "there is a rhyme" . It has different theoretical connotations at different times. This paper tries to explore the main aesthetic connotation of "yuan"category in ancient Chinese literary theory through the analysis of "yuan" in two aspects.From the horizontal, it is mainly to explore the "yuan" category of ideological origin, and its theoretical content of multi-dimensional presentation of the presentation. From the vertical point of view, mainly combing the "yuan" category in different stages of the specific use and rheological characteristics. Through this aspect comparison, we strive to achieve the "yuan" category of the theoretical connotation of the overall grasp and explore, so as to reveal its value in ancient literary theory and its practical significance.The first chapter starts from the semantic level of "yuan" category, discusses its significance in the process of development, and reveals how it gradually changes from semantic category to literary style of expression style and realm. Then, the author explores the ideological origins of the development of the "yuan" connotation, mainly from the influence of the three thoughts of Confucianism, Buddhism and Taoism on the"yuan", focusing on the aesthetic connotation of "yuan" as the category of literary theory,The inner spirit of the category and the wisdom of literature and art.The second chapter mainly discusses the concrete application and manifestation of"yuan" category in all times. This chapter mainly divides the development history of the"yuan" category into three parts:first, pre-Qin and Wei-Jin from the philosophical category to the category of human tasting, and gradually into the aesthetic field; the second is the Tang Dynasty as the aesthetic style And then in the Song Dynasty ushered in its development and prosperity, and in a number of areas of art to be used; Third, the Ming and Qing Dynasties as a literary criticism of the scope of the inheritance and perfection. In the various purposes of the specific use of combing, interpretation, to explore their use in various times the performance of the characteristics.The third chapter is mainly from the "yuan" in the literary theory of criticism in the multi-dimensional presentation to start, as it is the creation of the main body of the cultivation of literary works of aesthetic style and appreciation of literary works of the three levels of specific use and multiple connotations, revealing The connotation of the category in the ancient Chinese literature commentary, and its value and practical significance as the category of literary theory, to explore the "yuan" category in ancient Chinese literary theory of the value and status, and to explore it in the Chinese contemporary literature The practical significance of creation and criticism.