Short-term Visitors To Xinjiang In The 1950s To The 1980s And Their Xinjiang Writing

In the 1950 s to the 1980 s,there were some short-term visitors in Xinjiang.They were based on the great changes in Xinjiang since the liberation,the unique geographical landscape,the interest and curiosity of the special ethnic customs,and created a lot of works about Xinjiang,In the literary world is less concerned about.Based on the integrity of Xinjiang literature,these short-term groups of improvisation or sentimental works should also be an important part of Xinjiang literature.At the same time,in order to better understand the development of these works,this paper attempts to carry out in-depth and systematic analysis of the short-term visits to Xinjiang and the literary works created by the 1950 s to the late 1980 s.The first part of the thesis mainly analyzes the Xinjiang writing of the mainland’s short-term visit to Xinjiang in the 50-60 century of twentieth Century.His works to base on the tone of the “carol”style writing about the poem of celebrate the proletariat leaders and volunteer support for the construction and the journalists communication of depicting the liberation of Xinjiang before and after the great changes and praise the cultivation of the frontier.There are some scientific exploratory missions on the Xinjiang geographical environment,cultural landscape,historical sites for archaeological investigation with a small amount of travel notes.The second part of the paper mainly analyzes the Xinjiang writing of the short-term mainlanders in the 1980 s.His works are based on the famous prose of the natural scenery and humanistic landscape of Xinjiang,and the journalists’ communication of the realities and historical record of the frontier since the reform and opening up.The subject consciousness and aesthetic consciousness of the writer are revealed.Another prominent phenomenon is that in the background of the country to support the western,Chinese and foreign cultural communications,Xinjiang gradually open some cultural media people by participating in various shooting crew,cultural inspection and even organize their own visit to the "Silk Road."The third part mainly analyzes the Xinjiang writing of overseas visiting Xinjiang during 50-80 years in twentieth Century.The travel essay of the Hong Kong and Taiwan writers who are interested in the Xinjiang folk customs and Silk Road cultural attractions and the cultural prose of the Japanese writers who have traced back to the historical geography and cultural sites of Silk Road,showing the "other" The image of Xinjiang.In addition,there are individual European writers because of the special historical opportunity to visit and describe Xinjiang at this time in parallel,such as 1957 years ago,the famous Soviet director Schneider Higglov and linguist Yalin who revisited xinjiang in 1979.On the whole,the contemporary Chinese political situation,economic construction,foreign policy and cultural atmosphere dominated the basic theme,interest orientation,genre style and style tendency of Xinjiang in the 1950 s and 1980 s,So these works show the unity of Xinjiang and the will of the country and the mainland mainstream identity.And due to different visit Xinjiang who their different of professional requirements,social mission,cultural identity,educational level,geographical background and so on,in different historical stages have their own characteristics writing focus and theme differences.Especially Xinjiang as its main line of the Silk Road and the unique geographical advantage of the Central Asian cultural hub,but also a great set of overseas writers travel to Xinjiang’s psychological expectations and cultural consciousness,in the Silk Road culture of fresh curiosity and identity roots Under the dual drive,they further enrich and expand the "other" in the eyes of Xinjiang imagination.